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RED REPEAT 2016 Edition På den nye versjonen Red Repeat 2016 Edition, har Carl lagt til et par svært etterspurte funksjoner. Det er lagt til en Tap Tempo funksjon. For de som er kjent med delay-pedaler, tillater Tap Tempo å sette delay-effekten i ønsket hastighet med foten - f.eks i takt med låten. Den manuelle Time-innstillingen er fortsatt mulig. Videre er det lagt til en Modulation bryter. Ved å aktivere denne, og justere de sorte minipot’ene merket Depth og Speed , kan du modulere effekten slik at den etterligner soundet av en vintage båndekko! Dette vil gi soloene dine en helt ny dimensjon, og i alle fall om du er ute etter «old school»- sound! Netto L-B-H i mm: 122-94-58 Netto vekt kg: 0,43

The Carl Martin Powerjack universal power supply for guitar effects employs switch-mode technology, allowing it to be used from 100V-240V. The Powerjack delivers 2000mA of stabilized 9V DC power at any voltage. Please follow all safety rules and regulations for the geographic region you are located in, and please consult your effects pedal manual before connecting the Powerjack to ensure correct voltage, polarity and plug type.

ROCK BUG Amp/ høyttaler simulator i praktisk pedalformat. Med settings for åpent og lukket kabinett.Balansert XLR ut, phones ut ogaux inn.Den er analog og låter virkelighetsnært. Den gir følelsen av å spille på en fet røramp.

• 99 interne lagringsplasser med totalt 35 minutter innspillingstid i stereo med CD-kvalitet, opp til 16 timer med SD-kort (følger ikke med) • SD/SDHC-kortplass gir ytterligere 99 lagringsplasser, 198 totalt (Minnekort følger ikke med) • USB (for tilkobling til JamManager) • Dial in Bpms • 3 Loop-endings (Stop, End, Fade) • Auto-Record • Auto-Quantize • Time stretching • Strømforsyning følger med

En unik og eksklusiv chorus/flanger-pedal som gir alt fra vakker og sprø chorus til helville flanger-effekter - Nautila gir deg som gitarist en helt ny palett av modulasjon å jobbe med. Du kan med Voice-kontrollen legge til opp til 8 chorus eller 4 flanger-stemmer og siden blande og ”morphe” bølgeformene i sanntid med Drift-kontrollen. Om du holder nede footswitchen (momentary) så kan du i sanntid styre hastigheten på modulasjonen, når du så slipper footswitchen igjen så gir pedalen seg på egen hånd ut på oppdagelsesferd blant bølgeformene. Separate kontroller for Speed, Depth, Emphasis, Voices og Mix som lar deg forme din lyd. True Bypass, Stereo inn/ut, silent switching samt et solid aluminium-chassis gjør Nautila like turnédugelig som den er kreativ. ”Slow to fast” eller” fast to slow” som styres av den innebygde footswitchen True Bypass Stomplock™ knob guard

The Obscura Altered Delay from DigiTech allows you to turn your delays upside down and inside out. The Obscura’s four delay types can be darkened, degraded and distorted on the fly with the stacked Tone and Degrade controls. Combine these controls with the Obscura’s Repeat/Hold feature and lose yourself in long, trippy, gurgling repeats or backwards-manipulated sonic mayhem. In addition to its Tone and Degrade controls, the Obscura features independent Level, Delay Mode and stacked Time and Repeats controls. Complimenting those versatile controls, the Obscura offers four excellent-sounding Analog, Tape, Lo-Fi, and Reverse types, Tap Tempo mode with Beat Divisions, Stereo Inputs/Outputs, a Delay Tails On/Off Switch and True Bypass circuitry. With its compact size and vacuum-style footswitch, the Obscura furthers DigiTech’s evolution in pedal design. We’ve put years of experience into every detail of its mechanical and sonic blueprint. The Obscura uses a 9V DC power supply to easily integrate into your existing pedalboard. 4 delay types ANALOG - Classic sound of a vintage bucket brigade analog delay circuit TAPE - Emulates a classic tube tape echo Lo-Fi - A low-fidelity delay with limited bandwidth and reduced bit-depth Reverse - A delay where the repeats are played backwards Tap Tempo with Beat Divisions Repeat/Hold function Compact Size with Soft Click, Vacuum-Style Footswitch Delay Tails On/Off Switch True Stereo, 2 inputs, 2 outputs True Bypass circuitry preserves your tone in bypass High-Voltage operation for uncompromised signal quality Stomplock™ knob guard locks Custom-cut Hook and Loop Pedalboard Pad

Rengjøringsmiddel for gitaren

MicroAmp+ er en spesialdesignet versjon av MicroAmp. Dette gjennom å legge til EQ (hvilket er et savn på originalen) samt low-noise op-amps som demper buller effektivt også ved superhøye nivåer. True bypass. Gain opp til 26+dB.

About Reviews F.A.Q.'s Related Items Manual Bass Octave Deluxe Info The M288 Bass Octave Deluxe is a dual-voice octave pedal that offers analog tone, true bypass, and a variety of tonal options. MXR's 18 volt Constant Headroom Technology™ provides high headroom and superior tracking. Use the Dry knob to mix in your direct signal, and hit the Mid+ switch to add up to +14dB of internally adjustable mid frequencies (400Hz or 850Hz). Finally, mix in two separately controlled octave voices—Growl (for throaty tone) and Girth (for deep tone).

About Reviews F.A.Q.'s Related Items Manual Bass Overdrive Info The MXR Bass Overdrive is an original design that delivers warm, tube-like overdrive. Along with standard Volume, Tone and Drive controls, this pedal features a Clean control so you can blend a pre-set EQ clean signal with the overdrive signal, resulting in sweet burly bass overdrive. ""Punch your bass into the mix with the help of the MXR Bass Overdrive." - Juan Alderete, Racer X / The Mars Volta

Saucy box har balansert ett optimalt forhold mellom ren lyd og overdrive-signal, med en passiv tone krets, i en enkel overdrive-boks. Saucy Box har en enestående allsidighet fra clean til overdrive og kombinerer dem for å levere en av de mest amp -lignende overdrivepedaler som er på markedet.

Nøyaktig hva XO står for vet nok bare Mike Matthews, men en kvalifisert gjetting er at det står for ”extra ordinary”. Da Electro Harmonix lanserte sin Nano-serie for et par år siden tok man et første trinn bort fra de store boksene og begynte å lage pedaler i mindre chassis med færre knotter. XO-serien er fortsettelsen på denne omstillingen og man har redesignet alle gamle store pedaler og bygd dem inn i et mer moderne stålchassis som tar mindre plass på pedalbrettet. Her finner du alt fra delaypedaler til ringmodulatorer, alle med den typiske Electro Harmonix-twisten. Analog delay med chorus og vibrato som gir kraftig kjerne og varme.

Analog Chorus The Hotone CHOIR stompbox is an analog chorus pedal. It offers a sound that is pure, warm and lush. Onboard controls let you adjust the depth and speed of your effect. Use the DEEP button to extend the ambience and drama of your tone. Inspired by the legendary Jazz-Chorus amplifier, the circuit is based around the BBD MN3207. This design has a singular purpose: to create the most natural, purest and warmest chorus sound in a secret little box. In addition, the DEEP button can satisfy those guitar players in pursuit of a greater chorus depth.

Opto Tremolo The Hotone Skyline Series TREM optical tremolo pedal will deliver pulsating guitar tone. Whether it is surf you are after or something a little scarier, TREM will give you the lush, liquid waves you’re looking for. The classic tone of photoelectric tremolo, with wide range adjustability and smooth, well-proportioned pulsing character. Inspired by the legendary Fender Twin Amp*, our special circuit design ensures the consistency of output volume at different speeds. Additional EQ circuit offers more options for sound decoration.

NTS TubeScreamer Kan världens bästa och utan tvekan mest klassiska overdrive pedal bli ännu bättre? Ibanez TS808, "kungen över alla" i overdrivevärlden får en ny kung. Känns som en omöjlighet att förbättra något fulländat men ändå är det precis vad Ibanez just gjort med NTS TubeScreamer. Här har vi en helt vanlig TS808 som fått gnida ihop sig med Korgs fantastiska Nutube teknologi. Nutube är, förenklat utryckt, ett modernt analogt rör som kräver mycket mindre ström och med en avsevärt längre livslängd. Att det kräver mycket mindre ström gör att det kan drivas med batteri utan att tömma det på en kvart eller att pedalen kan drivas med en vanlig 9V adapter utan att käka upp varenda mA den har (och alla som suttit och räknat mA strömgrunkan kan ge vid pedalbordsbygge vet hur viktigt det är med låga mA behov). Nutube ger ett varmt, fylligt och sjungande ljud, inte helt olikt hur en TS808 brukar låta, bara mycket bättre. Med MIX ratten rakt upp på klockan 12 är pedalen en vanlig TS808, allt man är van vid är där. Vrider man medsols börjar den färgas mer av röret och får lite mer tillgänglig överstyrning än en vanlig TS808 har. Men den extra överstyrningen är inte poängen, även om den är en mycket positiv bonus, poängen är ljudet. Stort, varmt, sjungande och med en makalös sustain (och detta utan att behöva vara speciellt överstyrt). Vrider man den motsols kan man städa upp överstyrningen och pedalen blir nästan helt ren, men med TS pedalens karakteristiska kompression kvar. Galet bra för att bara grusa till ett ljud lite så där mysigt. Mixratten gör också att NTS är den första TS pedalen som fungerar verkligt bra som enda gainkälla även med humbuckers. Tidigare har det rena ljudet ibland slagit igenom med heta humbuckers, men här kan den egenskapen helt skruvas bort. Mums, mums, mums!!! Pedalen är självklart true bypass, byggd i Japan och kan drivas på allt mellan 9och 18V (högre V ger bland annat mer headroom). Mer info om Nutube (på engelska). This is the first time Ibanez has made a major circuit change in a long long time. The idea was born the moment Ibanez saw Korg's new vacuum tube device "Nutube", which is the first innovation in 50 years in the vacuum tubes industry. The Korg and Ibanez engineers then met at winter NAMM 2016 for the collaboration between Nutube and Tubescreamer. One of the reasons why the Tube screamer stands as an icon of overdrive pedals today is the mixture of the clean sounds and distortion tones which are made by clipper diodes. These are achieved in one 4558 op-amp section in the original circuit. However, in this new circuit the distortion isn't made by diodes but by the Nutube, just like a full tube pre-amp, then mixed with clean signal passed through a discrete circuit. Nutube and this circuit diagram create a feel of the natural tube compression, with a fat and mild distortion, and a wide dynamic range that can reflect sensitive picking nuance. A new feature never offered before is a MIX knob which lets you control the balance of the clean and overdriven signals. Another great feature is the Nu Tubescreamer that allows up to a 18V power supply giving players a wider headroom along with a louder overall sound. And for a more traditional sound you can still run it off a 9V power supply or battery.

NUX NDS-2 Brownie Distortion Shopping for a British distortion pedal? Try the NUX Brownie! The Classical British rock tones of the 1970’s, packed into one little box. How it works? By using a hybrid of circuits, we created truly unique pre-amp and power tube distortion characteristics. You’ll be amazed to hear the warm, organic tone that’s reproduced. Brownie has a specially designed BJT input stage causing it to “break-up” when the preamp tube starts to distort. It also has an asymmetrical clipping circuit letting you simulate some of the characteristics of an actual tube amplifier. It also keeps the bottom-end tight by processing bass frequencies which can get muddy when distorted. Nux Brownie uses a low-pass tone control filter to simulate the Variac effect (by lowering the voltage going into the amplifier) for rounding-off your tone. The range of tone is controlled yet perfect for dialing-in the high-end response. The power clipping circuit is crafted from a modern low-noise op-amp and 2 red LEDs. It can create symmetrical clipping that distorts both halves of the signal keeping the sound smooth. True bypass circuits with a high quality TPDP mechanical foot-switch gives the bypass its phenomenal signal clarity.

NUX Tube Man MKII More gain! That was the overall goal. If you’re not playing through a real tube amp, cranked for overdrive, it’s difficult to get genuine tube overdrive sound. The original Tube Screamer pedals used an OP-AMP system, a basic circuitry that became popular for its “perfect amp” attributes. It had no distortion so it had to be overdriven or distorted by re-shaping the signal until it distorts(diode-clipping). Clipping it a little bit gives you Overdrive. Clipping it a lot gives you Distortion. But, there’s a better way! Using an FET Transistor System, which already has overdrive and distortion capabilities is a better approachto maintain the genuine sound you get from an actual analog tube amp. An FET allows you to bring out the harmonic attributes, and break-up the distortion into a finer grit, the way a real tube does. Now, your leads will sing richer and longer, and your rhythm will be more open and expressive than ever before. It all culminates into an overdrive that is superbly dynamic, with crisp precise clarity that lets players cut through a dense mix, without losing fat mid-range.