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Strengeinstrumenter
Veil. pris
0 - 500 (387)
500 - 1000 (25)
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2500 - 5000 (45)
5000 - 7500 (31)
7500 - 10000 (18)
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15000 - 30000 (2)
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– Bell Knob for SG-modell – Volum – Gull
Boston KG-130-V Bell Knob Volum, Gold
59 kr
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+
– Bell Knob för SG-modell – För tumgängade potentiometrar – Tone – Guld
Boston KG-134-T Bell Knob Tone, Gold
59 kr
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+
– Bell Knob för SG-modell – För tumgängade potentiometrar – Volume – Guld
Boston KG-134-V Bell Knob Volum, Gold
59 kr
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+
bell knob, LP, embossed numbers, inch size for USA pots, relic gold This bell knob is intentionally aged to match the rest of a vintage guitar. The intentionally aged knob is part of the relic serie parts that we carry. You can upgrade all the parts on your instrument to high quality reliced parts to fit your vintage instrument. Inch size to fit USA pots Colour: Aged gold
Boston KG-160-IR Bell Knob, LP Modell, Relic Gold
100 kr
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+
dome knob, metal, diam 19,0mmx19,0mm, with set screw, shaft size 6,1mm, gold
Boston KG-210 Dome Knob, Gull med Set Skrue
60 kr
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+
Boston LB-330 Switch Cap, Tophat, Sort
15 kr
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+
Boston LB390IN Knott til 5-veis Mikrofonvelger, Sort
18 kr
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+
Boston LI390IN Knott til 5-veis Mikrofonvelger, Ivory
18 kr
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+
Boston LP113C Plekterbrett til LP Gitar, 1-lags Cream
90 kr
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+
top nut, carbon, 40x8x4mm
Boston NTC-10 Øvre Strengesadel Gitar, Sort Karbon
48 kr
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+
top nut, carbon, 52x8,5x5mm
Boston NTC-6 Øvre Strengesadel Gitar, Sort Karbon
48 kr
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+
top nut, carbon, 43x8,8x6,3mm
Boston NTC-7 Øvre Strengesadel Bass Gitar, Sort Karbon
48 kr
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+
top nut, carbon, 43x8x5mm
Boston NTC-8 Øvre Strengesadel Gitar, Sort Karbon
48 kr
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+
Boston PB-315-VW Pickguard Pres.Bass W/B/W 3-ply, Vintage Hvit
275 kr
-
+
Boston PG-233-SRD Pickguard Material 2ply, 30x29 - Sparkling Red
355 kr
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+
Boston PH-59-C Pickguard Bracket LP, Chrome
59 kr
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+
string retainer, Stallion, with nylon spacer and screw, black
Boston SH-2-B Strengetre med Nylon Skive og Skrue, Black
46 kr
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+
Strengetre med Skrue og Avstandsskive, Cylinder Modell, Krom - høyde 6,5mm
Boston SH-8-C Strengetre med Skrue og Avstandsskive, Cylinder Modell, Krom
45 kr
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+
chassis connector jack, 6,3mm, 2-pole, M9, black
Boston SJ-2-BK Gitar M9 Chassis Jack Inntak, Sort, Nikkel
142 kr
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+
Boston ST-313-W pickguard. Stallion. standard. SSS. 3 pot holes. 3-5 switch. 3 ply. white
Boston ST-313-W Plekter Brett Strat, 3 ply, White, SSS, 3 pot
225 kr
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+
Boston ST-413-T Plekter Brett Strat, 4 ply, Tortoise, SSS, 3 pot
325 kr
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+
bridge studs, 2-pack, gold Diameter : 3,8mm Height : 2cm
Boston SU-130-G Bridge Studs Gold (2-pack)
98 kr
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+
Boston SU-130-N Bridge Studs Nickel (2-pack)
65 kr
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+
toggle switch 3-way, angled model, chrome, with ivory plate and cap made in Japan
Boston SW-10 Toggle Switch Vinkel, Nickel, Thin Body, Ring and Cap, Ivory
265 kr
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+
Boston SW-143-W lever switch 3-way. open model. 1 5/8 inch spacing. with white cap 1 5/8 inch spacing, made in Korea
Boston SW-143-W 3-veis Bryter, Åpen Modell. 1 5/8" spacing. med Hvit Topp
98 kr
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+
Boston SW-145-W lever switch 5-way. open model. 1 5/8 inch spacing. with white cap 1 5/8 inch spacing, made in Korea
Boston SW-145-W 5-veis Bryter, Åpen Modell. 1 5/8" spacing. med Hvit Topp
100 kr
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+
toggle switch 3-way, with ivory plate and cap made in Japan
Boston SW20G Toggle Switch 3-veis Gold med Elfenben Farget Cap og Plate
249 kr
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+
toggle switch 3-way, with ivory plate and cap made in Japan
Boston SW20IV Toggle Switch 3-veis med Elfenben Farget Cap og Plate
249 kr
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+
toggle switch 3-way, open, black cap, black made in Korea
Boston SW-23-BB Toggle Switch, 3-veis, Sort
199 kr
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+
toggle switch 3-way, open, gold lacquer, ivory cap made in Korea
Boston SW-23-GI Toggle Switch, 3-veis, Gold
195 kr
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+
toggle switch 3-way, open, black cap, nickel made in Korea
Boston SW-23-NB Toggle Switch, 3-veis, Nikkel
159 kr
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+
lever switch 5-way, closed model, 1 5/8 inch spacing, switch cap sold seperately 41mm (1 5/8 inch) screw spacing, made in Japan
Boston SW43W 3-veis Bryter YM-30, Lukket Modell
225 kr
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lever switch 5-way, closed model, 1 5/8 inch spacing, switch cap sold seperately 41mm (1 5/8 inch) screw spacing, made in Japan
Boston SW45W 5-veis Bryter, Lukket Modell
225 kr
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+
toggle switch 3-way, block shape, black knob, black made in Korea
Boston SW-5-BB Toggle Switch 3-way. Block Shape. Black Knob, Black
100 kr
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+
toggle switch 3-way, block shape, black knob, nickel made in Korea
Boston SW-5-CB Toggle Switch 3-way. Block Shape. Black Knob, Nikkel
100 kr
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+
Boston SW-5-GI toggle switch 3-way. block shape. ivory knob. gold
Boston SW-5-GI Toggle Switch 3-way. Block Shape. Ivory Knob. Gold
145 kr
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+
string ferrules, Teaser, 8,2mm diameter x 9,5mm, 6-pack, chrome
Boston TB07C String Ferrules (6-p), Krom, Strengekule Holder Tele osv
100 kr
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+
string ferrules, Teaser, 8,3mm diameter x 9mm, 6-pack, gold
Boston TB10C String Ferrules (6-p), Krom, Strengekule Holder Tele osv
160 kr
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+
string ferrules, Teaser, 8,3mm diameter x 9mm, 6-pack, gold
Boston TB10G String Ferrules (6-p), Gold, Strengekule Holder Tele osv
200 kr
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+
pickguard, Teaser, standard, 4 ply, tortoise
Boston TE-410-T Plekter Brett Tele, 4 ply, Tortoise
198 kr
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+
truss rod nut, allen nut, allen key size 4mm, UNF 10-32 thread
Boston TRN-20 Thruss Rod Nut
39 kr
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+
CABALLERO EUROPE by Manuel Rodríguez 7/8 size Model CA-EU "Senorita“ – ideal for adults with small hands - also for children from approx 11 years old Scale length 620 mm, nut width 48 mm Genuine Spanish heel Solid top Back and sides mahogany Carpathian maple with fingerboard and bridge made out of Indian rosewood (Sonokilin) 19 nickel silver frets Mahogany headstock insert Synthetic nut and bridge inlay Traditional 6-hole bridge Wooden soundhole mosaic Maple top binding with black decorative strips Without GEWA armrest Machine heads without lyre, chrome plated with black shafts and buttons Stringing: Hannabach 815HT Silver-Special with PR Nylon treble strings, high tension, made in Germany Environmentally-friendly, water-based lacquer, open-pore, satin Made in Europe Model CA-EUCM "Senorita“ 7/8 size Solid Canadian red cedar top
Caballero by MR CA-EU Klassisk Gitar, Solid Cedar Lokk, 7/8 "Rigget ved vårt verksted"
4 875 kr
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Carbon composition resistors are made by mixing carbon particles with a binder molded into a cylindrical shaped, and then baked. Resistance decreases as temperature increases. Resistance is more prone to drifting than with other types. Standard 'classic' resistor. - - -55° C to 125° C operating range - 350 V working, 700 V overload - Low inductance - Low capacitance - Better pulse endurance characteristics than film type resistors - EIA color coded
Carbon Composite Resistor, 1K-ohm, 1/2W
30 kr
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+
Carbon composition resistors are made by mixing carbon particles with a binder molded into a cylindrical shaped, and then baked. Resistance decreases as temperature increases. Resistance is more prone to drifting than with other types. Standard 'classic' resistor. - - -55° C to 125° C operating range - 350 V working, 700 V overload - Low inductance - Low capacitance - Better pulse endurance characteristics than film type resistors - EIA color coded
Carbon Composite Resistor, 2.2K-ohm, 1/2W
30 kr
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+
Capacitors are energy-storage devices that filter the high frequencies. A cap lets the tone control roll off the treble response, progressively warming the tone. The higher the value, the more bass output from the tone control at its "zero" setting. - A cap wired to a potentiometer creates a standard tone control. - Value Code Common use - 180pF 181 PRS Treble bleed - .001uF 102 Common Treble bleed - .022uF 223 Humbucker tone - .047uF 473 Single-coil guitars, many basses - .100uF 104 Basses and certain eras of vintage Fender guitars
Ceramic Caps for Guitar, .047uF
25 kr
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+
Capacitors are energy-storage devices that filter the high frequencies. A cap lets the tone control roll off the treble response, progressively warming the tone. The higher the value, the more bass output from the tone control at its "zero" setting. - A cap wired to a potentiometer creates a standard tone control. - Value Code Common use - 180pF 181 PRS Treble bleed - .001uF 102 Common Treble bleed - .022uF 223 Humbucker tone - .047uF 473 Single-coil guitars, many basses - .100uF 104 Basses and certain eras of vintage Fender guitars
Ceramic Caps for Guitar, .180pF
29 kr
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+
- Special synthetic compound, relatively stiff pick, matte surface - 4 Christian themes (Crown of Thornes, Angel, Cross, crucified Jesus), 4 gauges
Clayton Plekter, Christian Themes
15 kr
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+
The traditional style AC models have been re-engineered to improve resonance for an authentic classical guitar sound. The nice combination of tone-woods yields a traditional, deep and delightfully mellow tone. Cort AC series is very forgiving of student mistakes,requiring slightly less precision and sharpness for a good tone. AC70 has a smaller body size, shortened scale to help players on their journey, specially designed for novices, but with pro-level features and quality materials for an authentic playing experience. Open Pore Finish Not only does the open pore finish enhance the resonance of the woods but it also reduces the weight of the guitar for improved playability. CONSTRUCTION Dovetail Neck Joint BODY Classic 3/4 NUT WIDTH 45mm (1 3/4") nut width TOP Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) BINDING Black Binding FRETBOARD Merbau SCALE 578mm (22.8") BRIDGE Merbau STRINGS Savarez BRACING Modified Fan Bracing SPECIAL 3/4 sized classic guitar
Cort AC70-OP 3/4 Klassisk Gitar, Natur
1 995 kr
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+
Cort AD880CE BK Western Gitar med Cutaway og Pickup, Sort Polert
2 749 kr
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+
Cort’s oldest acoustic series, the Standard Series defines superb performance and value for the money. The Standard Series guitars are affordable but offer good solid performance for beginners and hobbyists alike in a variety of models with different types of features for any playing situation. AD810 features Spruce top, Mahogany back and sides, Merbau fingerboard. Finish: Natural Satin CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body TOP Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) BINDING Ivory Binding w/ Tiger Acryl Purfling FRETBOARD Laurel or Merbau FRETS 20 Frets INLAY Dot Inlay ROSETTE Multiple Tiger Acryl Rosette BRIDGE Laurel or Merbau PICKUPS Ceramic Pickup ELECTRONICS Cort CE304T Preamp STRINGS Coated Strings BRACING Advanced X-Bracing
Cort AD880CE-NS Western Gitar med Cutaway og Pickup, Natur Matt
2 695 kr
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+
Cort Earth 100NAT Western Gitar, Natur, High Gloss
3 495 kr
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+
The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR710F is a solid sitka spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Fishman Presys electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications. Finish: Black CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body NUT WIDTH 43mm (1 11/16") TOP Solid Sitka Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) FRETBOARD Ovangkol FRETS 20 Frets SCALE 643mm (25.3") INLAY Dot Inlay ROSETTE Multiple Abalone Rosette BRIDGE Ovangkol PICKUPS Fishman Sonicore Pickup ELECTRONICS Fishman Presys Preamp STRINGS D'Addario EXP16 Strings BRACING Advanced Scalloped X-Bracing SPECIAL Genuine Bone Nut & Saddle Sonically Enhanced UV Finish ADDITIONAL Left handed, 12 strings available
Cort MR710F-BK Western Gitar Cutaway med Mikrofon, Black Gloss
4 995 kr
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+
lever switch 5-way, vintage USA, bolts included, no cap 1 5/8" bolt spacing, made in USA
CRL SWCRL5 5-veis Bryter
350 kr
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+
250K audio potentiometer, short length bushing .250", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.
CTS Potmeter 250kA Audio .250" 3/8", USA, Short
129 kr
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+
250K audio potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.
CTS Potmeter 250kA Audio .375" 3/8", USA
139 kr
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+
Potentiometer 500k av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.
CTS Potmeter A53 500kA Potmeter, USA
159 kr
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+
500K linear potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.
CTS Potmeter B52 500kB Linear, USA
129 kr
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+
250K audio potentiometer, solid shaft, short bushing .250", 3/8" diameter, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.
CTS Potmeter CTS250-A57 Solid Shaft Potmeter 250k USA, short bushing .250", 3/8" diameter,
129 kr
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+
Potentiometer 250k linjär av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.
CTS Potmeter CTS250-B50 Split Shaft, USA 250k Linear
139 kr
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+
250K linear potentiometer, short bushing .250", 3/8" diam., USA style dished back, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.
CTS Potmeter CTS250-B55 Split Shaft, USA 250k Linear, Short Bushing .250", 3/8" diam.
129 kr
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+