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classic guitar, spruce top, sapele b&s, Savarez strings, satin finish The Salvador CS-244 is a great entry-level classical guitar with a high-quality (satin) finish and excellent playability. It has nickel frets, an adjustable truss rod and is made of durable spruce with sapele back and sides. All these features result in a great sounding guitar with a friendly price. specifications: top wood: spruce sides and back: sapele neck wood: sapele fingerboard: Indian laurel bridge: Indian laurel binding body front: black ABS binding body back: black ABS binding fingerboard: black ABS headstock veneer laurel finish body: satin open pore finish neck: satin open pore finish headstock: satin open pore nut: ABS saddle: ABS tuners: gold with lyre, black buttons strap button: no strings: Savarez new Cristal classic, hard tension scale length: 650 mm nut width: 52 mm 12th fret neck width: 62 mm upper bout: 278 mm waist: 235 mm lower bout: 361 mm body length: 480 mm body depth: 98 / 94 mm

Nettadapter til Samson Airline Micro

Windscreen for LM8 lavalier microphone.

Vindhette som passer til mange håndholdte mikrofoner. Innermål: 35 mm diameter, 55 mm dyp 5-pack Sort

VIOLIN-OUTFIT - Hand-graduated solid spruce top, hand-graduated flamed solid maple back - Flamed maple sides and neck - Ebony trimmings - Tailpiece with integrated four string adjusters (optional: Original Wittner tailpiece) - Original Teller bridge - Ebony-chinrest - Pirastro Tonica strings - Dark brown transparent spirit-varnish Rosin - Octagon Brazilwood stick with ebony frog (B-5) - Bow with mongolian horse hair - Shaped case with two straps for backpack, nylon cover (SA-100) - Case with pocket for sheet music

Sang i Norge inneholder sanger som alle kan ha glede av uansett alder, erfaring og bakgrunn. De ca 540 sangene varierer fra gamle norske tradisjonssanger til rytmisk musikk (pop og rock)

- For 4/4 violin with centred chin rest - Made of veneered cherrywood - Foldable - With cotton bag - With plastic caps as rest

Silk and steel strenger brukt av bl.a. berømte gitarister som Django Reinhardt, Raphaël Fays, Boulou Ferre, Pierre Lacombe, Romane, Patrick Saussois og mange andre... - Settet består av: .010 .014 .022 .028 .036 .045

- Gear ratio 1:16 - Weight 30 g/pc - Bore diameter 9,8mm - With hollow screw as thrust bearing - Tulip button

- Ultra-precision, wear-free premium machine head - Velvet-Tec™ und LX6-Lube™ for unparelleled precision which makes tuning easy - High-quality surface quality thanks to improved production process - Gear ratio 1:18 - Bore diameter 9,8 mm - Large metal button - Locking shaft (19,5 mm)

Strap Lock i Sort Krom

Strap Lock i Gull

Strap Lock i Nikkel

SCHALLER S-LOCKS S LOCKS SAFETY BELT -------------------- - New generation of Security Locks - Newly developed strap pins from toughest steel for best support, special thread that does not need adjustments, incl. washer - Lock with extended thread for straps up to 6 mm thick - Newly designed stainless steel bolts, maximum wear resistance and safety. - Dimensions of threaded part M - medium = 22 x 4 mm - Compatible with previous Schaller Security Locks - Delivery and price per pair - 2 single belt pins, includes felt, screw M=medium 4.0 mm x 22 mm (Standard)

Schecter PT Special Black Pearl 6-strängad elgitarr av klassisk modell, med single coil och P90 pickups. - Schecter har en omfattande familj av Retro-modeller, löst baserade på tidlösa klassiker, men uppdaterade med Schecters speciella byggkvalitet, spelbarhet, komfort, sound och känsla. Oavsett om du spelar Jazz, Blues, Rockabilly, Rock eller Hårdrock finns det riktigt coola gitarrer här som verkligen osar av attityd! _____ Information Färg: Black Pearl Stall/Strängar: Vintage Ashtray/6 Kropp/Topp: Swamp Ash Hals/Greppbräda: Maple/Rosewood Mensur/Band: 25.5" (648mm) Halsmikrofon: Schecter Diamond V-90 Stallmikrofon: Schecter Diamond VT-1 Konstruktion: Bolt-on Mekanik: Grover Vintage Halsform: C

En ideell forsterker for enhver musikalsk situasjon. Blandingen mellom en "Dome" tweeter og en spesiallaget 6" høyttaler gir en unik varm stor lyd for akustiske instrumenter. Kanal 1 og 2 har XLR tilkoblinger med fantommating samt Hi-Z linjeinnganger. Alle knotter, plugger etc er genialt plassert på oversiden, slik at håndtering er enklest mulig. 3-bånds EQ, Digital reverb. Høyttalere: 1” Dome Tweeter - 6” Woofer Kanaler: 3 individuelle kanaler + CD IN Effekter: Digital reverb Power: 100 W Vekt: 11 Kg Mål: 27x29x36 cm

Coastline S6Slim CW Spruce Presys II The Coastline S6 Slim CW Spruce is an ideal choice for players who prefer the brighter sound of a Select Solid Spruce top. The Presys II EQ system captures every nuance of your playing,both on stage and in the studio. Coastline S6 Slim CW Spruce är ett idealiskt val för gitarrister som föredrar briljansen i ett solitt granlock. Presys II EQ-systemet fångar varje nyans av ditt spel, både på scenen och i studion. _____ The Coastline S6 Slim CW Spruce is an ideal choice for players who prefer the brighter sound of a Select Solid Spruce top, aswell as the great feel and superb sound provided by a hand finished neck with a slimmer, more traditional nut width. The cutaway and electronics also make this a great choice for the gigging musician.

Entourage Folk Rustic Burst The Canadian made Entourage Folk Rustic Burst features our classic breath-through rustic finish, highlighting the unique wood grain of each guitar and accented by an elegant cream binding. The Folk body size is extremely comfortable to hold and a pleasure to play. Den Kanada-tillverkade Entourage Folk Rustic Burst har den klassiska Rustic Burst-finishen, som framhäver varje gitarrs unika trä och accentueras av en elegant krämvit binding. Kroppen i Folk-design är extremt bekväm att hålla i och gitarren är en fröjd att spela på. _____ By popular demand, the Seagull Entourage Rustic Burst is back! The Canadian made Entourage Folk Rustic Burst features our classic breath-through rustic finish, highlighting the unique wood grain of each guitar and accented by an elegant cream binding. The Folk body size is extremely comfortable to hold and a pleasure to play. With its slightly smaller body size compared to a classic dreadnaught, the Folk exudes a complex harmonic richness thanks to the tight bottom end, rich velvety mids and bell like highs. ---- Specifications Top Solid Cedar Sides Back Wild Cherry Neck Silver Leaf maple Nut Width Tusq® 44mm Scale 24,84” Fingerboard Rosewood Finish Semi Gloss Rustic Burst

S6 Classic Black A/E Dreadnought Western guitar with solid Cedar top in a stylish black semi-gloss finish with the Presys VT pickup system. Den klassiska S6 Dreadnought-gitarren med lock i solid Ceder, i en elegant svart semi-gloss finish. Bestyckad med Presys VT EQ-system som fångar varje nyans av ditt spelande, både på scenen och i studion. _____ The S6 Series sees a cool new addition to its lineup with the S6 Classic Black A/E. You can expect great playability and sound like the rest of the S6 Series line, but with a look that will stop you in your tracks! The S6 Classic Black A/E will surely reel you in with its intense black semi-gloss top and blackwashed back and sides. Strum it for a sound that will resonate to your core, thanks to its vibrant solid cedar top and Wild Cherry body. Plug it in to experience another level of outstanding tone via the onboard Presys VT preamp system, as it amplifies the natural dynamic sound of your S6. The S6 Classic Black A/E is an acoustic that gives more for those who want more! --- Specifications Top Solid Cedar Sides Back Wild Cherry Neck Silver Leaf Maple Nut Width Tusq® 44mm Scale 25,5” Fingerboard Rosewood Finish Semi Gloss Black Electronics Presys VT

S6 Original Presys II When you think of Seagull this is probably the guitar that comes to mind. The S6 Original with it’s built in Presys II system is played and loved by guitarists around the world and has been a top seller for over 40 years. Built in North America with with canadian woods, perfect for the nordic climate. S6 Original med inbyggdt Presys II EQ-system älskas av gitarrister världen över och har varit en toppsäljare i över 40 år. Den handbyggs i Nordamerika med Kanadensiska träslag vilket gör den perfekt i det Skandinaviska klimatet. _____ The award-winning S6 Original Series gets revamped without compromising the classic appeal it is known for. The S6 Original includes a pressure tested cedar top, a silver leaf maple neck, a custom polished semi-gloss finish, and a bolder look on the neck, back and sides. The combined tone woods and thin yet durable finish allow the S6 to project with a crisp midrange and tight bottom end; making it a tonal essential for any player. It comes equipped with the custom Godin electronics—a system specifically voiced to bring out the harmonic richness and clarity of the S6 Original --- Specifications Top Solid Cedar Sides Back Wild Cherry Neck Silver LEaf Maple Nut Width Tusq® 46mm Scale 25,5” Fingerboard Rosewood Finish Semi Gloss Natural Electronics Presys II

S6 Original Burnst Umber Presys II When you think of Seagull this is probably the guitar that comes to mind. The S6 Original with it’s built in Presys II system is played and loved by guitarists around the world and has been a top seller for over 40 years. This perticular model is finished in a beautiful Burnt Umber. Built in North America with with canadian woods, perfect for the nordic climate. S6 Original med inbyggdt Presys II EQ-system älskas av gitarrister världen över och har varit en toppsäljare i över 40 år. Den handbyggs i Nordamerika med Kanadensiska träslag vilket gör den perfekt i det Skandinaviska klimatet. Denna modell har en utsökt finish i färgen Umber Burst. _____ Winner of several awards, the S6 is perhaps the instrument that best represents the Seagull philosophy. This model features the stunning, rich & vintage look of its Burnt Umber semi-gloss finish.The S6 offers entry level players the opportunity to experience the great feel and superb sound provided by a hand finished neck, select solid Spruce top and a Custom Polished Finish. This model includes electronics with built-in tuner. --- Specifications Top Solid Spruce Sides Back Wild Cherry Neck Silver Leaf Maple Nut Width Tusq® 46mm Scale 25,5” Fingerboard Rosewood Finish Semi Gloss Burnt Umber Electronics Presys II

Our Antiquity P90 soapbar uses two specially calibrated Alnico 2 bar magnets and a custom coil wind to deliver the gritty, vintage-correct growl of an early ’50s Les Paul bridge pickup. Chords have a warm but sparkly midrange grit, and single notes jump out nicely without sounding harsh. The neck model is full and round sounding, with single notes that have a sweet, musical, singing quality. It is also wound RW/RP to be hum-cancelling when engaged with a matching bridge pickup. When you remove our hand-aged soapbar covers, you’ll find the same hand-fabricated bobbin, plain enamel mag wire, and flatback tape that was made in Kalamazoo during the early days. This vintage P90 pickup is a drop-in replacement for any standard P90-sized rout, and is available in black or cream aged covers.

SH 136 is a replacement battery door for the P4, P7 and LC-Series model preamps.

SHUBB C1 CAPO Stålstrengs Nikkel Steel String Guitar fits most acoustics and electrics Our standard C-series capos now have the design features formerly available only on our deluxe models! Intonation When we developed our capo, our main job was to minimize or eliminate the need for retuning. We accomplished this by designing 1. a unique material that acts just like your fingertip 2. a patented closing action that works exactly like your hand 3. a one-time adjustment that provides the ideal pressure every time. Dropoff The technical explanation Shubb Capos work on an "over-center" locking principle. If you've used one, you know the feeling. As you close the capo onto the neck, it passes through a point of greatest resistence (the center), then relaxes somewhat into its locked position. We've made up a name for the the difference between the amounts of pressure applied at these two points; we call it dropoff. More dropoff means a greater difference between pressure encountered as it passes through center, and the pressure applied in the locked position. Less dropoff means a lesser difference between pressure encountered as it passes through center, and the pressure applied in the locked position. Offhand you might imagine that the least amount of dropoff would be best, but that's not exactly the case. If you have too little dropoff, the lock is less secure and there is a risk of the capo opening accidentally. But if you have too much dropoff, too great a force is applied to the guitar neck while closing, and there could be too little pressure applied in the closed position for the truest tone. So you see, there is a JUST RIGHT amount of dropoff that makes for perfect capoing. Another benefit of dropoff. It is a well known fact that if a capo is too tight, it can stretch the strings out of tune. Most players understand that there is a "just right" amount of pressure for best capoing, too. The dropoff in the closing action of the Shubb capo serves as a built-in safeguard for those players who are not clear on this concept, and who might have a tendency to over-tighten a capo. In other words, it prevents the unwise user from putting his guitar out of tune by not allowing him to bring the capo to rest in its tightest possible position. While this feature of the Shubb capo is not especially obvious to most users, it does in fact contribute to the Shubb's excellent reputation for not causing tuning problems --- On the original Shubb capo, the dropoff increases at the smallest end of the capo's range, and decreases at its widest end. In other words, when used on an very thin guitar neck, the dropoff effect is exaggerated. In the extreme, it could result in insufficient pressure on the strings when engaged. On an unusually thick neck, the dropoff is minimal. In the extreme, it could result in an insecure lock, or too much pressure on the strings when engaged. Roller mechanism The roller mechanism equalizes the dropoff across the full range of the capo. Because the roller head adjusts upward on an arc (as opposed to a straight line) it moves inward toward the center curve of the middle piece of the capo as it is tightened - so it does not move further past center when it is set tighter. This maintains a relationship between the moving parts that results in the same, ideal amount of dropoff at any point within the capo's working range. So you get the ideal amount of dropoff on a thin neck, on a thick neck, and all those in between... and on different parts of the same neck.

SHUBB C2 CAPO Classical Nikkel Nylon String Guitar wide, flat fretboard Our standard C-series capos now have the design features formerly available only on our deluxe models! Intonation When we developed our capo, our main job was to minimize or eliminate the need for retuning. We accomplished this by designing 1. a unique material that acts just like your fingertip 2. a patented closing action that works exactly like your hand 3. a one-time adjustment that provides the ideal pressure every time. Dropoff The technical explanation Shubb Capos work on an "over-center" locking principle. If you've used one, you know the feeling. As you close the capo onto the neck, it passes through a point of greatest resistence (the center), then relaxes somewhat into its locked position. We've made up a name for the the difference between the amounts of pressure applied at these two points; we call it dropoff. More dropoff means a greater difference between pressure encountered as it passes through center, and the pressure applied in the locked position. Less dropoff means a lesser difference between pressure encountered as it passes through center, and the pressure applied in the locked position. Offhand you might imagine that the least amount of dropoff would be best, but that's not exactly the case. If you have too little dropoff, the lock is less secure and there is a risk of the capo opening accidentally. But if you have too much dropoff, too great a force is applied to the guitar neck while closing, and there could be too little pressure applied in the closed position for the truest tone. So you see, there is a JUST RIGHT amount of dropoff that makes for perfect capoing. Another benefit of dropoff. It is a well known fact that if a capo is too tight, it can stretch the strings out of tune. Most players understand that there is a "just right" amount of pressure for best capoing, too. The dropoff in the closing action of the Shubb capo serves as a built-in safeguard for those players who are not clear on this concept, and who might have a tendency to over-tighten a capo. In other words, it prevents the unwise user from putting his guitar out of tune by not allowing him to bring the capo to rest in its tightest possible position. While this feature of the Shubb capo is not especially obvious to most users, it does in fact contribute to the Shubb's excellent reputation for not causing tuning problems --- On the original Shubb capo, the dropoff increases at the smallest end of the capo's range, and decreases at its widest end. In other words, when used on an very thin guitar neck, the dropoff effect is exaggerated. In the extreme, it could result in insufficient pressure on the strings when engaged. On an unusually thick neck, the dropoff is minimal. In the extreme, it could result in an insecure lock, or too much pressure on the strings when engaged. Roller mechanism The roller mechanism equalizes the dropoff across the full range of the capo. Because the roller head adjusts upward on an arc (as opposed to a straight line) it moves inward toward the center curve of the middle piece of the capo as it is tightened - so it does not move further past center when it is set tighter. This maintains a relationship between the moving parts that results in the same, ideal amount of dropoff at any point within the capo's working range. So you get the ideal amount of dropoff on a thin neck, on a thick neck, and all those in between... and on different parts of the same neck.

Lite capo for ukulele The Shubb Lite is made of aluminum. It weighs less than one ounce. Is a Lightweight capo for you? Maybe. Some people associate a certain amount of heft with quality, while many others feel that a capo should be as light as possible. Neither opinion is right or wrong; it's a matter of choice. If a lighter weight capo is to your liking, and that of your instrument, then the Shubb Lite is definitely the capo for you!

Shure 55SH - Elvis-miken! Instant rockabilly! Instant credibility! Denne klassiske dynamiske mikrofonen har du helt sikkert sett! Vanligvis er det de akustiske / elektriske egenskapene som teller ved en mikrofon, men med 55SH er det utseendet som teller mest! Brukes stadig i reklamefilmer, TV-serier og musikkvideoer, overalt hvor en ønsker en mikrofon med 55SHs karakteristiske “look”. Spesifikasjonene er meget brukbare og sammenlignbare med andre Shure mikrofoner. Type: Dynamic Frequency Response: 50 to 15,000 Hz Polar Pattern: Cardioid(unidirectional), uniform with frequency, symmetrical about axis Impedance: Microphone rating impedance is 150 ohms (270 ohms actual) for connection to microphone inputs rated at 75 to 300 ohms Sensitivity (at 1,000 Hz) Open Circuit Voltage: -58.0 dBV/Pa (1.3 mV) 1 Pascal=94 dB SPL Polarity: Positive pressure on the diaphragm produces positive voltage on pin 2 relative to pin 3 of the output connector Switch: Built-in On/Off switch, integral part of swivel mount, connector Three pin professional type, designed to mate with Cannon XL series, Switchcraft A3 (Q.G.) series, or equivalent Case: Chrome-plated die casting Vekt 624 gr

Vindhette for SM85, SM86, SM87A, Beta 87A, Beta 87Ca

Inspirert av SM58; med høyere utgangsnivå, lavere håndstøy og mindre sjanse for feedback. Nå en klassiker i alle sammenhenger. Dynamisk vokalmikrofon. Shure Beta58A er designmessig inspirert av legenden SM58-LCE og er på flere punkter forbedret. Beta58A ble hurtig akseptert som den nye standarden for dynamiske vokalmikrofoner. Den har hyperkardioide retningskarakteristikk, som er konstant også ved høyere frekvenser. Dette gir en mikrofon med minimale feedback-problemer. Den har et kraftig outputsignal da den benytter neodymium magnet. Beta58A har en forbedret frekvensrespons, spesielt i diskantområdet. Særlig velegnet ved høye lydnivåer. Beta58A har meget lav håndstøy. Frekvensresponsen er 50-16 000 Hz.

Hodebøylemikrofon med høykvalitets hodetelefoner på begge sider. Dynamic microphone delivers natural, highly intelligible vocal reproduction, and includes a flip-up mute function that deactivates the boom mic when raised. Detachable, unterminated cable allows for connection to a variety of devices. - Features: -Closed-back, circumaural design provides superior isolation from background noise -Dynamic microphone delivers natural, highly intelligible vocal reproduction with cardioid polar pattern and frequency response optimized for communication in loud environments -Ergonomic, adjustable headband with premium padding and optimal coupling force for long wearing comfort -Flexible boom microphone pivots 270 degrees for left or right side wear and precise positioning -Flip-up mute function deactivates the boom microphone when raised vertically away from the mouth -Single-side, detachable cable with unterminated ends (bare whip) enables connection to a variety of devices. -Kevlar® reinforced for increased durability. -Legendary Shure durability designed under rigorous quality standards to withstand the demands of everyday, professional use -User-replaceable cable, ear pads and windscreen provided for a long product life