Kategorier

– Bell Knob för SG-modell – För tumgängade potentiometrar – Tone – Guld

– Bell Knob för SG-modell – För tumgängade potentiometrar – Volume – Guld

bell knob, LP, embossed numbers, inch size for USA pots, relic gold This bell knob is intentionally aged to match the rest of a vintage guitar. The intentionally aged knob is part of the relic serie parts that we carry. You can upgrade all the parts on your instrument to high quality reliced parts to fit your vintage instrument. Inch size to fit USA pots Colour: Aged gold

dome knob, metal, diam 19,0mmx19,0mm, with set screw, shaft size 6,1mm, gold

top nut, carbon, 40x8x4mm

top nut, carbon, 52x8,5x5mm

top nut, carbon, 43x8,8x6,3mm

top nut, carbon, 43x8x5mm

string retainer, Stallion, with nylon spacer and screw, black

Strengetre med Skrue og Avstandsskive, Cylinder Modell, Krom - høyde 6,5mm

chassis connector jack, 6,3mm, 2-pole, M9, black

Boston ST-313-W pickguard. Stallion. standard. SSS. 3 pot holes. 3-5 switch. 3 ply. white

bridge studs, 2-pack, gold Diameter : 3,8mm Height : 2cm

toggle switch 3-way, angled model, chrome, with ivory plate and cap made in Japan

Boston SW-143-W lever switch 3-way. open model. 1 5/8 inch spacing. with white cap 1 5/8 inch spacing, made in Korea

Boston SW-145-W lever switch 5-way. open model. 1 5/8 inch spacing. with white cap 1 5/8 inch spacing, made in Korea

toggle switch 3-way, with ivory plate and cap made in Japan

toggle switch 3-way, with ivory plate and cap made in Japan

toggle switch 3-way, open, black cap, black made in Korea

toggle switch 3-way, open, gold lacquer, ivory cap made in Korea

toggle switch 3-way, open, black cap, nickel made in Korea

lever switch 5-way, closed model, 1 5/8 inch spacing, switch cap sold seperately 41mm (1 5/8 inch) screw spacing, made in Japan

lever switch 5-way, closed model, 1 5/8 inch spacing, switch cap sold seperately 41mm (1 5/8 inch) screw spacing, made in Japan

toggle switch 3-way, block shape, black knob, black made in Korea

toggle switch 3-way, block shape, black knob, nickel made in Korea

Boston SW-5-GI toggle switch 3-way. block shape. ivory knob. gold

string ferrules, Teaser, 8,2mm diameter x 9,5mm, 6-pack, chrome

string ferrules, Teaser, 8,3mm diameter x 9mm, 6-pack, gold

string ferrules, Teaser, 8,3mm diameter x 9mm, 6-pack, gold

pickguard, Teaser, standard, 4 ply, tortoise

truss rod nut, allen nut, allen key size 4mm, UNF 10-32 thread

CABALLERO EUROPE by Manuel Rodríguez 7/8 size Model CA-EU "Senorita“ – ideal for adults with small hands - also for children from approx 11 years old Scale length 620 mm, nut width 48 mm Genuine Spanish heel Solid top Back and sides mahogany Carpathian maple with fingerboard and bridge made out of Indian rosewood (Sonokilin) 19 nickel silver frets Mahogany headstock insert Synthetic nut and bridge inlay Traditional 6-hole bridge Wooden soundhole mosaic Maple top binding with black decorative strips Without GEWA armrest Machine heads without lyre, chrome plated with black shafts and buttons Stringing: Hannabach 815HT Silver-Special with PR Nylon treble strings, high tension, made in Germany Environmentally-friendly, water-based lacquer, open-pore, satin Made in Europe Model CA-EUCM "Senorita“ 7/8 size Solid Canadian red cedar top

Carbon composition resistors are made by mixing carbon particles with a binder molded into a cylindrical shaped, and then baked. Resistance decreases as temperature increases. Resistance is more prone to drifting than with other types. Standard 'classic' resistor. - - -55° C to 125° C operating range - 350 V working, 700 V overload - Low inductance - Low capacitance - Better pulse endurance characteristics than film type resistors - EIA color coded

Carbon composition resistors are made by mixing carbon particles with a binder molded into a cylindrical shaped, and then baked. Resistance decreases as temperature increases. Resistance is more prone to drifting than with other types. Standard 'classic' resistor. - - -55° C to 125° C operating range - 350 V working, 700 V overload - Low inductance - Low capacitance - Better pulse endurance characteristics than film type resistors - EIA color coded

Capacitors are energy-storage devices that filter the high frequencies. A cap lets the tone control roll off the treble response, progressively warming the tone. The higher the value, the more bass output from the tone control at its "zero" setting. - A cap wired to a potentiometer creates a standard tone control. - Value Code Common use - 180pF 181 PRS Treble bleed - .001uF 102 Common Treble bleed - .022uF 223 Humbucker tone - .047uF 473 Single-coil guitars, many basses - .100uF 104 Basses and certain eras of vintage Fender guitars

Capacitors are energy-storage devices that filter the high frequencies. A cap lets the tone control roll off the treble response, progressively warming the tone. The higher the value, the more bass output from the tone control at its "zero" setting. - A cap wired to a potentiometer creates a standard tone control. - Value Code Common use - 180pF 181 PRS Treble bleed - .001uF 102 Common Treble bleed - .022uF 223 Humbucker tone - .047uF 473 Single-coil guitars, many basses - .100uF 104 Basses and certain eras of vintage Fender guitars

- Special synthetic compound, relatively stiff pick, matte surface - 4 Christian themes (Crown of Thornes, Angel, Cross, crucified Jesus), 4 gauges

Cort’s oldest acoustic series, the Standard Series defines superb performance and value for the money. The Standard Series guitars are affordable but offer good solid performance for beginners and hobbyists alike in a variety of models with different types of features for any playing situation. AD810 features Spruce top, Mahogany back and sides, Merbau fingerboard. Finish: Open Pore CONSTRUCTION Dovetail Neck Joint BODY Dreadnought Body NUT WIDTH 43mm (1 11/16") TOP Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) FRETBOARD Merbau FRETS 20 Frets INLAY Dot Inlay BRIDGE Merbau PICKUPS Ceramic Pickup ELECTRONICS Cort CE304T Preamp STRINGS Coated Strings BRACING Advanced X-Bracing

Cort’s oldest acoustic series, the Standard Series defines superb performance and value for the money. The Standard Series guitars are affordable but offer good solid performance for beginners and hobbyists alike in a variety of models with different types of features for any playing situation. AD810 features Spruce top, Mahogany back and sides, Merbau fingerboard. Finish: Natural Satin CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body TOP Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) BINDING Ivory Binding w/ Tiger Acryl Purfling FRETBOARD Laurel or Merbau FRETS 20 Frets INLAY Dot Inlay ROSETTE Multiple Tiger Acryl Rosette BRIDGE Laurel or Merbau PICKUPS Ceramic Pickup ELECTRONICS Cort CE304T Preamp STRINGS Coated Strings BRACING Advanced X-Bracing

The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR710F is a solid sitka spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Fishman Presys electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications. Finish: Black CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body NUT WIDTH 43mm (1 11/16") TOP Solid Sitka Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) FRETBOARD Ovangkol FRETS 20 Frets SCALE 643mm (25.3") INLAY Dot Inlay ROSETTE Multiple Abalone Rosette BRIDGE Ovangkol PICKUPS Fishman Sonicore Pickup ELECTRONICS Fishman Presys Preamp STRINGS D'Addario EXP16 Strings BRACING Advanced Scalloped X-Bracing SPECIAL Genuine Bone Nut & Saddle Sonically Enhanced UV Finish ADDITIONAL Left handed, 12 strings available

lever switch 5-way, vintage USA, bolts included, no cap 1 5/8" bolt spacing, made in USA

250K audio potentiometer, short length bushing .250", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 500k av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

500K linear potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, solid shaft, short bushing .250", 3/8" diameter, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 250k linjär av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K linear potentiometer, short bushing .250", 3/8" diam., USA style dished back, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.