Kategorier

Cello strengeholder i god kvalitet ibenholz.

Sort oxfordnylon trekk i 10mm polstring

Cellotrekk i 20mm polstret oxfordnylon materiale. Trekket er i blå utvendig farge.

Capacitors are energy-storage devices that filter the high frequencies. A cap lets the tone control roll off the treble response, progressively warming the tone. The higher the value, the more bass output from the tone control at its "zero" setting. - A cap wired to a potentiometer creates a standard tone control. - Value Code Common use - 180pF 181 PRS Treble bleed - .001uF 102 Common Treble bleed - .022uF 223 Humbucker tone - .047uF 473 Single-coil guitars, many basses - .100uF 104 Basses and certain eras of vintage Fender guitars

Capacitors are energy-storage devices that filter the high frequencies. A cap lets the tone control roll off the treble response, progressively warming the tone. The higher the value, the more bass output from the tone control at its "zero" setting. - A cap wired to a potentiometer creates a standard tone control. - Value Code Common use - 180pF 181 PRS Treble bleed - .001uF 102 Common Treble bleed - .022uF 223 Humbucker tone - .047uF 473 Single-coil guitars, many basses - .100uF 104 Basses and certain eras of vintage Fender guitars

Key Features Design Simple user interface Easy navigation Large touch screen with easy to understand and intuitive graphical interface User prompts through setup, programming and operation Console Output Capacity No limit on number of fixtures, only by number of universes supported User Interface Modeled on smart phone icon interface and gesture support Intuitive interface allowing simple control of all fixture attributes Supports pinching for zooming and scrolling The remote app is identical to that on the console display so that you can easily swap between the two Playback Faders Dedicated Grand Master fader Dedicated Cue Stack Control section One Cue Stack and two Chase faders Playbacks compatible with and aid progression towards MagicQ Fixture Faders Fader for Intensity Control Flash button Fixture, Group and Cue modes RGB LED shows current mode/state 20 fixture faders Networking QuickQ supports output of DMX over network via ArtNet/sACN/Pathport Colour Control A dedicated “colour control area” with Hue and Saturation encoders, and a pair of additional buttons for colour control Select from in-built palettes and gel libraries using the touch screen Ports 2 USB ports for loading and saving shows, and for optional keyboard and mouse audio input and output In-built WIFI port for simple connection of tablets and smart phones Offline Software Offline editor available for both Windows and Mac Easy upgrades Includes MagicVis visualiser Replicates entire QuickQ console software excluding output Touch Screen 9.7" Universes Supported 1 DMX Outputs 5-Pin XLR 1 Fixtures Supported 512 Fixture Faders 20 Bump Buttons Y Dedicated Hue/Saturation Encoders Y Attribute Encoders 0 Master Faders 2 Chase, 1 Cue Stack Cue Stacks 1 Dedicated Home Button Y USB 2 Network Y External Monitor 1920 x 1080 HDMI Audio In/Out Y sACN Y ArtNet Y Pathport Y OSC N MIDI N MIDI Timecode N Supports Moving Lights LEDs & Dimmers Size (WDH mm) 525 x 350 x 106 Weight 4.7 kg Software Features RDM Autopatch HSV Colour Mixing Colour Picker Built-in FX Chase and Cue Support Execute Window Audio Triggering Tap to Time Software Upgrade/Downgrade Easy Fixture Personality Update

20 massive hits from 2023-2024, specially arranged for piano, voice and guitar with chord symbols, chord diagrams and full lyrics. Includes ‘Beautiful Things’, ‘Fortnight’, ‘Stick Season’, ‘vampire’, and many more, including three top hits from 2023’s Barbie soundtrack!

Smart bag for transport og oppbevaring av opp til 4 SlimPAR-lys, liten lysmikser og kabler. • Compartments: 7 (5 internal, 2 external) • Weight: 2lbs (0.9kg) • Size (each compartment): 9.5 x 8.8 x 2.2in (241 x 224 x 56mm) • Size (total): 9.5 x 8.8 x 15in (241 x 224 x 381mm)

•Connector: DMX •Length: 25 ft •Pins: 3 •AWG: 24

•Connector: DMX •Length: 5 ft •Pins: 3 •AWG: 24

Tuning range:A0(27.5Hz)~C8(4186Hz) Tuning mode: Chromatic, Guitar, Bass(6-string), Violin, Ukulele C, Ukulele D Tuning precision:±1cent A4 range:430-450Hz Detection method:Clip Flat tuning: b, bb Display mode: LCD display Tuning method: Auto Power supply: 3V(CR2032)Lithium battery Dimensions: 50(W)x36(D)x30(H)mm Weight: 32g

Meget god og lettlest clip-on tuner fra Cherub. Velg mellom kromatisk,gitar,bass,fiolin og ukulele. Tuning Range A0(27.5Hz)~C8(4186Hz) Tuning Mode Chromatic, Guitar, Bass (6- String), Violin, Ukulele C, Ukulele D Tuning Precision ±1cent A4 Range 430-450Hz Detection Method Clip Flat Tuning B, Bb Display Mode LCD Display Tuning Method Auto Power Supply 3V(CR2032)Lithium Battery

- Metal with black powder coating - Individually packed in a printed cardboard tube - Natural membrane for a strong sound

A celebrated collection of the best classical works from this highly successful series of anthologies, including a CD with performances of all the pieces. As usual each piece has been carefully presented for solo Piano, with a choice of recognised masterpieces including Bach's Air On A G String, Joplin's Entertainer and Debussy's Clair De Lune for you to learn, master, and enjoy.

A selection of original piano music exactly as written by the master composers of three centuries. The music provides the pianist with a repertoire which is enjoyable for player and listener alike. Compiled and edited by Denes Agay. Suitable for pianists from grade 1-2 standard. Contents / Song list LITTLE SONATA (WILTON) - HUMMING (KABALEVSKY) - CHIT-CHAT (KABALEVSKY) - SPRING SONG (TURK) - WINTER SONG (TURK) - GAVOTTE (HANDEL) - FIRST DANCE (KABALEVSKY) - THE BAGPIPERS (GOEDICKE) - QUADRILLE (HAYDN) - THE HUNT (GURLITT) - BAGATELLE (DIABELLI) - MINUET (MOZART) - DAYDREAMING (SATIE) - DIALOGUE (MIASKOVSKY) - RUSSIAN FOLK SONG (BEETHOVEN) - MENUET (KRIEGER) - GERMAN DANCE (BEETHOVEN) - LITTLE SUITE (TURK) - RONDINO (RAMEAU) - BEAR DANCE (SCHUMANN) - BURLESKE (MOZART) - LITTLE STORY (MULLER) - THE FIFERS (DANDRIEU) - GERMAN DANCE (HAYDN) - THE PIPE ARIA (ANNA MAGDALENA BACH) - LITTLE MARCH (KABALEVSKY) - ALLEGRO (MOZART) - THEME AND VARIATIONS (KULLAK) - SOLDIER’S MARCH (SCHUMANN) - LANDLER (SCHUBERT) - KING WILLIAM’S MARCH (CLARKE) - WALTZ (SHOSTAKOVICH) - Yorktown Music

- Special synthetic compound, relatively stiff pick, matte surface - 4 Christian themes (Crown of Thornes, Angel, Cross, crucified Jesus), 4 gauges

Clayton Standard Wall Guitar Slide. Tillverkad i USA. Levereras med ett fodral för att skydda ditt sliderör mot att gå sönder. Inkluderar ett instruktionshäfte som lär dig olika tekniker så att du får det mesta ut av din slide!

Clayton Standard Wall Guitar Slide. Tillverkad i USA. Levereras med ett fodral för att skydda ditt sliderör mot att gå sönder. Inkluderar ett instruktionshäfte som lär dig olika tekniker så att du får det mesta ut av din slide!

Clayton Standard Wall Guitar Slide. Tillverkad i USA. Levereras med ett fodral för att skydda ditt sliderör mot att gå sönder. Inkluderar ett instruktionshäfte som lär dig olika tekniker så att du får det mesta ut av din slide!

Cleartone Heavy Bass 50-110 .50 .070 .090 .110 Cleartone coated bass strings are a premium brand of bass string designed to last longer but without compromising feel or sound.

Cleartone AC Phos Bronze Light 11-52 .011 .015 .024 .032 .042 .052 The next generation of longer lasting guitar strings. Cleartone Strings feature the Award Winning Patented treatment and coating that is designed to keep your strings sounding fresh, 3-5 times longer than uncoated strings. With the thinnest guitar string coating in the industry, nothing lasts as long or sounds as good as Cleartone Strings. Coated guitar string technology has come a long way since it’s inception; take the Cleartone Challenge and see why our coated guitar strings are a step above the rest.

Cleartone AC Phos Bronze Light 12-53 .012 .016 .025 .033 .043 .053 The next generation of longer lasting guitar strings. Cleartone Strings feature the Award Winning Patented treatment and coating that is designed to keep your strings sounding fresh, 3-5 times longer than uncoated strings. With the thinnest guitar string coating in the industry, nothing lasts as long or sounds as good as Cleartone Strings. Coated guitar string technology has come a long way since it’s inception; take the Cleartone Challenge and see why our coated guitar strings are a step above the rest.

SEVILLA TREATED CL. HIGH TENSION BALL END Sevilla Strings are classical guitar strings that feature Cleartone Strings' Patented EMP Coating. With its one micron coating, the Sevilla Strings treatment is the thinnest coating in the industry, designed to last a long time without compromising the feel and sound of traditional strings. Hard tension.

SEVILLA TREATED CL. STRINGS MED. TENSION Ball end - Sevilla Strings are classical guitar strings that feature Cleartone Strings' Patented EMP Coating. With its one micron coating, the Sevilla Strings treatment is the thinnest coating in the industry, designed to last a long time without compromising the feel and sound of traditional strings. Medium tension.

SEVILLA TREATED CLASSICAL HIGH TENSION TIE END Sevilla Strings are classical guitar strings that feature Cleartone Strings' Patented EMP Coating. With its one micron coating, the Sevilla Strings treatment is the thinnest coating in the industry, designed to last a long time without compromising the feel and sound of traditional strings. Hard tension.

NEW CRYSTAL: New STABILON fibre for the core, new computer-based technology and even more accurate automated checks during manufacturing have further enhanced the characteristics of the popular CRYSTAL range. - - Larger overtones, fast and more accurate response - Quality sound projection from pianissimo to fortissimo - Set with ball end - Medium 23.4kg/50.99lbs

Cort’s oldest acoustic series, the Standard Series defines superb performance and value for the money. The Standard Series guitars are affordable but offer good solid performance for beginners and hobbyists alike in a variety of models with different types of features for any playing situation. AD810 features Spruce top, Mahogany back and sides, Merbau fingerboard. Finish: Natural Satin CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body TOP Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) BINDING Ivory Binding w/ Tiger Acryl Purfling FRETBOARD Laurel or Merbau FRETS 20 Frets INLAY Dot Inlay ROSETTE Multiple Tiger Acryl Rosette BRIDGE Laurel or Merbau PICKUPS Ceramic Pickup ELECTRONICS Cort CE304T Preamp STRINGS Coated Strings BRACING Advanced X-Bracing

Introduced in 2020, the Core Series guitars enjoyed its fast growing popularity thanks to its focus and dedication on what truly makes acoustic guitars great: keeping it simple yet elegant, with great playability and natural acoustic sound. Cort continues the same effort with the introduction of Core-GA Blackwood, a new body style all- solid acoustic guitar that follows the same discipline and focus that made the previous Core Series so much more enjoyable and valuable. Open Pore Light Burst CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian BODY Grand Auditorium NUT WIDTH 45mm) TOP Solid Blackwood BACK & SIDES Solid Blackwood NECK Mahogany BINDING Black FRETBOARD Ovangkol FRETS 20 SCALE 643mm INLAY White Dot TUNERS Die-Cast w/ Black Knobs ROSETTE ABS Black BRIDGE Ovangkol PICKUPS Fishman® Sonicore ELECTRONICS Fishman® Sonitone STRINGS D'Addario® EXP16 Light BRACING Hand Scalloped X-Bracing SPECIAL Genuine Bone Nut & Saddle ADDITIONAL Deluxe Soft-Side Case Included

The new GA-MEDX M OP is an all-mahogany model that joins the GA Series for players who love mahogany and its distinctive look and character in the Grand Auditorium body and which is more affordable and delivers outstanding performance for its price. Finish: Mahogany CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian BODY Grand Auditorium NUT WIDTH 1 3/4 "(45MM) TOP Mahogany BACK & SIDES Mahogany NECK Mahogany FRETBOARD Laurel or Merbau FRETS 20 SCALE 25.5"(648MM) TUNERS Die-Cast BRIDGE Laurel or Merbau ELECTRONICS Cort® CE306T BRACING Advanced X-Bracin

The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR500E is a solid spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Cort CE304T electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications. - Finish: Natural Gloss Top - CONSTRUCTION: Dovetail Neck Joint CUTAWAY: Venetian Cutaway BODY: Dreadnought Cutaway Body NUT WIDTH: 43mm (1 11/16") TOP: Solid Spruce Top BACK & SIDES: African Mahogany(Okoume) NECK: Mahogany(Palaquium) FRETBOARD: Ovangkol FRETS: 20 Frets SCALE: 643mm (25.3") INLAY: Dot Inlay ROSETTE: Acryl Pearl Top Purfling & Rosette BRIDGE: Ovangkol PICKUPS: Ceramic Pickup ELECTRONICS: Cort CE304T Preamp STRINGS: D'Addario EXP16 Strings BRACING: Advanced Scalloped X-Bracing

The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR710F is a solid sitka spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Fishman Presys electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications. Finish: Black CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body NUT WIDTH 43mm (1 11/16") TOP Solid Sitka Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) FRETBOARD Ovangkol FRETS 20 Frets SCALE 643mm (25.3") INLAY Dot Inlay ROSETTE Multiple Abalone Rosette BRIDGE Ovangkol PICKUPS Fishman Sonicore Pickup ELECTRONICS Fishman Presys Preamp STRINGS D'Addario EXP16 Strings BRACING Advanced Scalloped X-Bracing SPECIAL Genuine Bone Nut & Saddle Sonically Enhanced UV Finish ADDITIONAL Left handed, 12 strings available

The SFX-ME by Cort is the perfect guitar for stage and studio. This gig-ready acoustic, making it ready to plug in and play. The Spruce top and Mahogany back and sides give it a sound that is big, rich and boomy. The SFX-ME is comfortable to play thanks to its all-access cutaway body design and the V-contour neck profile. This guitar is ready togig when you are. CONSTRUCTION: Dovetail Neck Joint CUTAWAY: Venetian BODY: SFX NUT WIDTH: 43mm TOP: Spruce BACK & SIDES: Mahogany NECK: Mahogany BINDING: Ivory FRETBOARD: Merbau FRETS: 20 SCALE: 648mm INLAY: Dot TUNERS: Die-Cast BRIDGE: Merbau ELECTRONICS: Cort® CE304T BRACING: Advanced X-Bracing

Isomax Headset. Med åpen ende for AKG/Sennheiser sendersystem. Nyre. Beige - Profesjonell elektretmikrofon for fantommating (6-50V). Smidig justerbar innstilling som hviler på ørene og går rundt hodet under håret. Vindhette følger med. 1,5 m kabellengde. ISOMAX Headset Mic remains the favorite of countless high-profile performing artists. It's sleek, comfortable, and stays securely in place, even during dance-oriented performances. It zeroes in on its source, capturing warmth in a wide frequency range. It rejects unwanted sounds and monitor feedback even better than most handhelds. And it tolerates sweat, weather, and makeup better than any other headset. Best of all, it's affordable and durable, providing a long life of excellent sound. -Suitable especially for AKG/Sennheiser -Cardioid pattern -Pigtail “no connector” -Beige -Frequency Response: 20 Hz to 20 kHz -Power Requirements: 15V at the microphone under load. 4mA total current drain. -Sensitivity: 1.4 mV/Pascal -Overload Sound Level: 150 dB SPL at 1% THD (48V Phantom model) -Output Impedance: 600 Ohms balanced (48V Phantom model) -Cable Length: 5 Feet

lever switch 5-way, vintage USA, bolts included, no cap 1 5/8" bolt spacing, made in USA

250K audio potentiometer, short length bushing .250", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 500k av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

500K linear potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, solid shaft, short bushing .250", 3/8" diameter, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 250k linjär av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K linear potentiometer, short bushing .250", 3/8" diam., USA style dished back, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Bildet viser splitshaft ikke solid shaft. -------- potentiometer, standard .375" bushing, 3/8" diam. 500K vintage taper CTS 500k Ohm vintage audio taper (30% Log) potentiometer. Dished back, solid shaft, standard 9.5mm length bushing. Check the actual bushing length required! Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistance value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume, an audio (aka. logarithmic) pot will work best for volume applications. A third option available is ‘vintage audio taper’. These pots are 30% logarithmic: with the pot halfway open, the audio response/output is at 30%. Audio/log pots have an output of 10% in the same setting, linear pots are at 50% output. So, their taper is roughly halfway in between audio/log and linear taper pots. They are very similar to the original spec for vintage Stratocaster® guitar pots and can be used for both tone and volume controls. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Top quality CTS control pots with a switch on the back. Add a switch to your guitar wiring without drilling a new hole. - The built-in single-pole single-throw switch is electrically separate from the control pot. You might use this switch to coil-cut a humbucker, or use it as a dedicated on/off switch for a pickup.

25LBNJ00-DX - Leather Banjo Strap - Black. Høykvalitets banjoreim fra D'Addario. • Bredde 64mm. • Gir maksimal komfort i stående situasjoner.