Kategorier

The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR710F is a solid sitka spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Fishman Presys electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications. Finish: Black CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body NUT WIDTH 43mm (1 11/16") TOP Solid Sitka Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) FRETBOARD Ovangkol FRETS 20 Frets SCALE 643mm (25.3") INLAY Dot Inlay ROSETTE Multiple Abalone Rosette BRIDGE Ovangkol PICKUPS Fishman Sonicore Pickup ELECTRONICS Fishman Presys Preamp STRINGS D'Addario EXP16 Strings BRACING Advanced Scalloped X-Bracing SPECIAL Genuine Bone Nut & Saddle Sonically Enhanced UV Finish ADDITIONAL Left handed, 12 strings available

The SFX-ME by Cort is the perfect guitar for stage and studio. This gig-ready acoustic, making it ready to plug in and play. The Spruce top and Mahogany back and sides give it a sound that is big, rich and boomy. The SFX-ME is comfortable to play thanks to its all-access cutaway body design and the V-contour neck profile. This guitar is ready togig when you are. CONSTRUCTION: Dovetail Neck Joint CUTAWAY: Venetian BODY: SFX NUT WIDTH: 43mm TOP: Spruce BACK & SIDES: Mahogany NECK: Mahogany BINDING: Ivory FRETBOARD: Merbau FRETS: 20 SCALE: 648mm INLAY: Dot TUNERS: Die-Cast BRIDGE: Merbau ELECTRONICS: Cort® CE304T BRACING: Advanced X-Bracing

Isomax Headset. Med åpen ende for AKG/Sennheiser sendersystem. Nyre. Beige - Profesjonell elektretmikrofon for fantommating (6-50V). Smidig justerbar innstilling som hviler på ørene og går rundt hodet under håret. Vindhette følger med. 1,5 m kabellengde. ISOMAX Headset Mic remains the favorite of countless high-profile performing artists. It's sleek, comfortable, and stays securely in place, even during dance-oriented performances. It zeroes in on its source, capturing warmth in a wide frequency range. It rejects unwanted sounds and monitor feedback even better than most handhelds. And it tolerates sweat, weather, and makeup better than any other headset. Best of all, it's affordable and durable, providing a long life of excellent sound. -Suitable especially for AKG/Sennheiser -Cardioid pattern -Pigtail “no connector” -Beige -Frequency Response: 20 Hz to 20 kHz -Power Requirements: 15V at the microphone under load. 4mA total current drain. -Sensitivity: 1.4 mV/Pascal -Overload Sound Level: 150 dB SPL at 1% THD (48V Phantom model) -Output Impedance: 600 Ohms balanced (48V Phantom model) -Cable Length: 5 Feet

lever switch 5-way, vintage USA, bolts included, no cap 1 5/8" bolt spacing, made in USA

250K audio potentiometer, short length bushing .250", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 500k av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

500K linear potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, solid shaft, short bushing .250", 3/8" diameter, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 250k linjär av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K linear potentiometer, short bushing .250", 3/8" diam., USA style dished back, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Bildet viser splitshaft ikke solid shaft. -------- potentiometer, standard .375" bushing, 3/8" diam. 500K vintage taper CTS 500k Ohm vintage audio taper (30% Log) potentiometer. Dished back, solid shaft, standard 9.5mm length bushing. Check the actual bushing length required! Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistance value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume, an audio (aka. logarithmic) pot will work best for volume applications. A third option available is ‘vintage audio taper’. These pots are 30% logarithmic: with the pot halfway open, the audio response/output is at 30%. Audio/log pots have an output of 10% in the same setting, linear pots are at 50% output. So, their taper is roughly halfway in between audio/log and linear taper pots. They are very similar to the original spec for vintage Stratocaster® guitar pots and can be used for both tone and volume controls. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Top quality CTS control pots with a switch on the back. Add a switch to your guitar wiring without drilling a new hole. - The built-in single-pole single-throw switch is electrically separate from the control pot. You might use this switch to coil-cut a humbucker, or use it as a dedicated on/off switch for a pickup.

25LBNJ00-DX - Leather Banjo Strap - Black. Høykvalitets banjoreim fra D'Addario. • Bredde 64mm. • Gir maksimal komfort i stående situasjoner.

50PLJS02 - Planet Lock - Up In Flames. Med Illustrasjon skissert av Joe Satriani selv, blir denne D'Addario gitarreimen til et unikt tillegg til enhver gitar. Med Illustrasjon skissert av Joe Satriani selv, blir denne D'Addario gitarreimen til et unikt tillegg til enhver gitar. D'Addarios Woven gitarreimer er designet for utøvere i alle sjangere og tilbyr design som vil tilfredsstille selv den mest kresne spilleren. Fra ikoniske temaer til unike design og kunst, Disse slitesterke gitarreimene er et fantastisk supplement til alle gitarer. • Sterke og sikre skinnendestykker. • Gir maksimal komfort i stående situasjoner. • Bredde 50mm. • Justerbar lengde fra 89 cm til 151 cm.

D'Addario HALF ROUNDS strengesett el.gitar - EHR310. Regular Light. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .010, .013, .017, .Nickel Wound .026, .036, .046.

D'Addario HALF ROUNDS strengesett el.gitar - EHR350. Jazz Light. Spunnet 3. streng. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .012, .016, Nickel Wound .024, .032, .042, .052.

D'Addario HALF ROUNDS strengesett el.gitar - EHR370. Medium. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .011, .014, .018, Nickel Wound .028, .038, .049.

EJ15 Extra Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL010 E .010 PL014 B .014 PB023 G .023 PB030 D .030 PB039 A .039 PB047 E .047

EJ16 Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL012 E .012 PL016 B .016 PB024 G .024 PB032 D .032 PB042 A .042 PB053 E .053

3-pack med EJ26 Custom Light 011 015 022w 032w 042w 052w. 1974 var året D’Addario var först med att prova materialet Phosphor Bronze i sin akustiska strängtillverkning. Succen var ett faktum och Phosphor Bronze strängar har blivit synonymt med en stor ton och lång livslängd. Väljs av de flesta musiker för både live och studio.

EJ26 Custom Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL011 E .011 PL015 B .015 PB022 G .022 PB032 D .032 PB042 A .042 PB052 E .052

EJ38 Phosphor Bronze 12-str. Light Tykkelse 1-12: 010/010, 014/014, 023w/008, 030w/012, 039w(018, 047w/027w. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio.

EJ45LP "lett polert," normal tension, er D'Addario's bestselgende "lett polert" sett, foretrukket for sin balanse av fyldige tone og glatte spillefølelse. Pro-Arte lett polerte kompositt strenger har en eksklusiv multifilament kjerne materiale som gir en kraftig, men varm tone som varer 2-3 ganger lenger enn tradisjonelle klassiske strenger. Hver omspunnet streng er polert til en glatt overflate for redusert finger støy. I tillegg til tre tradisjonelle nylon diskant strenger, inneholder hvert sett en valgfri monofilament kompositt 3dje / G string, som gir større projeksjon og optimal balanse mellom bass og diskant. Alle Pro-Arte diskant strenger er sortert av en sofistikert datastyrt laser maskin som utfører diameter / spenning målinger og kvalitetskontroller, og sikrer rene og presise diskantstrenger i hvert sett. Pro-Arte lett polerte sett er også ideelle for opptak. - Forsølvet kobber tråd spunnet på en eksklusiv Composite kjerne materiale for kraftig, langvarig tone - Omspunnede strenger er polert til en glatt overflate for redusert finger støy, flott for opptak! - Kompositt 3dje / G streng for økt projeksjon, klar nylon 1. og 2. strenger. Alle laser målt og sortert for konsekvent, presis intonasjon - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: Diskant .0280, .0322, .036 Basses .027, .34, .043 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

EJ45, Normal Tension. Pro Arté er D'Addarios mestselgende streng for klassisk gitar.Godt likt for sin perfekte balanse mellom tone, spillefølelse og dynamikk. Flere års lang utvikling førte fram til Pro Arte serien der hver strengs diameter ble kontrollert 200 ganger ved hjelp av et sofistikert databasert lasersystem. Denne ekstremt nøye kvalitetskontrollen garanterer en absolutt høy og jevn standard på strengene, fra sett til sett. Basstrengene er presisjonsspunnet med en sølvbelagt kobbertråd over en nylonkjerne, som gir strengen dens varme og tydelige tone. I følge mange konsertgitaristre det beste strengesetttet som noen gang har blitt skapt, og det anbefales varmt av de fleste gitarlærere. • D'Addarios mest populære streng for klassisk gitar. • Laserkontroll garanterer absolutt jevn kvalitet. • Presisjonsspunnede basstrenger for varm og tydelig tone. • Normal Tension. • Strengetykkelser: Trebles .0280, .0322, .0403 Basses .029, .35, .043. • Made in USA. - D'Addario's bestselgende Pro Arte sett, Normal tension tilbyr balanse i volum og behagelig motstand - Laser sortert klare nylon diskant strenger for konsekvent og presis intonasjon - Presisjons spunnede bass strenger for varm, prosjektering av tone og den ytterste jevnhet - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: Diskant .0280, .0322, .0403 Bass .029, .035, .043 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

EJ46C Composite, Normal Tension. I Pro Arte Kompositen er G strengen og kjernen i basstrengene produsert i et polymermateriale, noe som gir en rik og kraftig tone med mye varme. I tillegg har basstrengene 2-3 ganger lengre leveperiode enn nylon og gir en perfekt toneovergang mellom de spunnede og uspunnede strengene. Med dette materialet kan også G strengen gjøres tynnere, uten å ofre styrke, noe som gir en betydelig klarere tone enn en normal nylonstreng. Disse settene holder stemmingen utrolig bra! EJ46C settet inneholder en ekstra G streng i alternativ størrelse, slik at man kan velge mellom .0370 eller .0410 tykkelse på tredje strengen. • Sølvbelagt kobberspinning på en eksklusiv kompositkjerne, for kraftfull og varende tone. • G streng av kompositkjerne for økt projeksjon og holdbarhet. Alle lasersortert for absolutt jevn kvalitet. • Strengetykkelser: .0285, .0327, .0370,(.0410) .029w, .036w, .046w. • Made in USA.

EJ46, Hard Tension, er et populært valg av klassiske sett som foretrekkes for sin balanse mellom fyldig tone, noe hardere spilleart, behagelig følelse og dynamisk projeksjon. Pro-Arte, verdens mest populære klassiske strenger er D'Addario's premium klassiske gitarstrenge sett. Alle Pro-Arte diskant strenger er sortert av en sofistikert datastyrt laser maskin som utfører diameter og spenning målinger, sikrer riktig tone, presise diskant strenger i hvert sett. Pro-Arte bass strenger er viklet med sølvbelagt kobbertråd på en multi-filament nylon kjerne for konsekvent og varm, men prosjektering tone. - D'Addario's bestselgende Pro Arte sett, Hard tension tilbyr balanse i volum og noe kraftigere men behagelig motstand - Laser sortert klare nylon diskant strenger for konsekvent og presis intonasjon - Presisjons spunnede bass strenger for varm, prosjektering av tone og den ytterste jevnhet - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: Diskant .0285, .0327, .0410 Bass .030, .036, .044 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

D'Addario's tyngste 5-strengs banjosett, leverer maks. volum og holdbarhet for heavy picking. • Nikkelbelagt stål for klar tone, glatt følelse og lang levetid. • Miljøvennlig, korrosjonsmotstandsdyktig innpakking holder strengene ferske. Settet består av: • LE011 D. • LE012 B. • LE013 G. • LE022w D. • LE011 G.

Banjo strenger, Normal gauge. 010, 012, 016, 023w, 010 J61 D'Addario's mest populære 5-strengs banjo sett gir deg den perfekte balansen av å spilleart og lys, kraftig tone. Loopend konstruksjon for universell bruk. D'Addario banjo strengene blir anbefaltt av legender som Ralph Stanley, Rob McCoury, Ron Block, Alison Brown, og flere, for deres autentiske tone og pålitelig ytelse.

EJ62 light gauge mandolin strings are wound with 80/20 Bronze for a crisp, bright tone on all 4 wound strings; perfect for recording. 80/20 Bronze mandolin strings Loopend construction for universal fit Bright, crisp tone Made in the U.S.A. for the highest quality and performance String Gauges: .010/.010, .014/.014, .024/.024, .034/.034 80/20 Bronze, commonly referred to as brass, is the original string alloy selected by John D'Addario Sr. and John D'Angelico in the 1930s. 80/20 Bronze strings are popular for recording due to their crisp, deep and projecting tone and appeal to many traditionalists and vintage enthusiasts for their historical significance. All D'Addario mandolin strings are wound on a hexagonally shaped, high carbon steel core, resulting in long lasting, bright sounding tone with excellent intonation.

EJ67 Medium Mandolin. D'Addario EJ67 Mandolin strings er perfekt for elektrisk eller akustisk Mandolin spill. J67 Mandolin strengene er spunnet med nikkelbelagt stål, kjent for sin karakteristiske klare tone og utmerkede projeksjon. • Nikkelbelagt stål for karakteristisk klar tone. • Løkke-ende konstruksjon passer de fleste Mandoliner. • Miljøvennlig, korrosjonsmotstandsdyktig innpakking holder strengene ferske. Settet består av: • J6701 E 011. • J6701 E 011. • J6702 A 014. • J6702 A 014. • J6703 D 025. • J6703 D 025. • J6704 G 039. • J6704 G 039.

EJ87B Baritone Ukulele, Titanium. D'Addario EJ87B settene er konstruert for å passe alle Baritone Ukuleler. Hver streng i dette settet er laget av vårt lystklingende titaniumsmateriale. • Optimalisert for Baritone Ukuleler. • Titaniumsmateriale for klarhet og projeksjon. • Silver Plated Copper .030W, .035W • Foretrukket for sin moderne, projiserende tone. • Miljøvennlig, korrosjonsresistent forpakkning garanterer ferske strenger. Settet består av: • E 028. • B 033. • G 033w. • D 035w

D'Addario's most popular acoustic bass set, EPBB170 provides a rich, deep and projecting tone. Designed specifically for use on all 4-String acoustic basses Preferred for its warm, bright, and well balanced acoustic tone Environmentally friendly, corrosion resistant packaging for strings that are always fresh Made in the U.S.A. for the highest quality and performance String Gauges: Phosphor Bronze Wound .045 .065, .080, .100 Phosphor Bronze was introduced to string making by D'Addario in 1974 and has become synonymous with warm, bright, and well balanced acoustic tone. D'Addario Phosphor Bronze strings are precision wound with corrosion resistant phosphor bronze onto a carefully drawn, hexagonally shaped, high carbon steel core. The result is long lasting, bright sounding tone with excellent intonation.

Stål kjærne, nikkelbelagt omspinning. De mest populære Basstrengene fra D`Addario. 045, 065, 080, 100. i dobbel ball end utgave.

D'Addario EXL115BT Balanced Tension electric guitar sets are comprised of mathematically optimized string gauge combinations, resulting in greater control and playing comfort. Combined with the distinctive bright tone of XL nickel wound strings, each set offers greater dynamic control and a more consistent feel between strings for evenly balanced bending, strumming, fretting, picking, and plucking. Balanced Tension sets allow for evenly balanced bending, strumming, fretting, picking, and plucking Round wound with nickelplated steel for distinctive bright tone Environmentally friendly, corrosion resistant packaging for strings that are always fresh Made in the U.S.A. for the highest quality and performance String Gauges: Plain Steel .011, .015, .019, Nickel Wound .028, .037, .050 XL Nickel Wound, D'Addario's most popular electric guitar strings, are precision wound with nickelplated steel onto a carefully drawn, hexagonally shaped, high carbon steel core. The result, strings with long lasting, distinctive bright tone and excellent intonation, is ideal for the widest variety of guitars and musical styles.

XL Nickel Wound, D'Addario's mest populære elektrisk gitar strenger, er presisjon spunnet med nickel-belagt stål på en nøye trukket, hexagonally formet, høy karbonstål kjerne. Resultatet er strenger med langvarig, særpreget diskant og god intonasjon, ideell for et stort utvalg av gitarer og musikalske stilarter.

- Rund spunnet med nickelbelagt stål for særegne lyse tone

EXL150H. strengesett El.gitar Nashville Tuning 010-026w. EXL150H Nashville Tuning strengesett, ofte kalt 'high-strung', utnytter strengene til den lyse oktaven i et 12-strengssett for å oppnå en skimrende, ''uharmonisk'' tone. Denne stemmemåten er populær hos studiomusikere til å doble 6-strengs gitarstykker for å oppnå en 12-strengs effekt. XL Nikkel Wound er D'Addarios mest brukte og likte el.gitarstreng. Nikkelbelagt stål, presisjonsspunnet på en hexagonal kjerne av stålkull, gir en fleksibel streng med en distinkt og klar lydkarakter i kombinasjon med suveren intonasjon. Ideell for det bredeste utvalget av gitarer og sjangere. • Utnytter strengene til den lyse oktaven i et 12-strengssett. • Omspunnet med nikkelbelagt stål for distinkt og klar tone. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .010, .014, .009, .012, .019, Nikkel Wound .026.

Stål kjærne, nikkelbelagt omspinning. De mest populære Basstrengene fra D`Addario. 050, 070, 085, 105.

EXL165 Custom Light/Long Scale 045 065 085 105. D'Addarios mest populære el.basstrenger. Nikkelbelagt stål gir et sterkt magnetisk utgangssignal og en komfortabel jevn spilleflate som reduserer for slitasje av gripebrettsbåndene. EXL-strengene har ett distinkt og klart sound og en perfekt intonasjon. Settet består av: • XLB045 G. • XLB065 D. • XLB085 A. • XLB105 E. Hvilken lengde (Scale) på strenger skal jeg velge? De fleste el.basser har Long Scale, men selvfølgelig finnes det unntak. Mål på bassiden når strengen er i pitch, avstanden fra kulens innside og til oversadelen. • Short Scale: Opp til 32 . • Medium Scale: 32 opp til 34 . • Long Scale 34 upp til 36 . • Super Long: 36 opp til 38 .

EXL165SL Custom Light/Super Long Scale 045 065 085 105. D'Addarios mest populære el.basstrenger. Nikkelbelagt stål gir et sterkt magnetisk utgangssignal og en komfortabel jevn spilleflate som reduserer for slitasje av gripebrettsbåndene. EXL-strengene har ett distinkt og klart sound og en perfekt intonasjon. Settet består av: • XB045SL G. • XB065SL D. • XB085SL A. • XB105SL E. Hvilken lengde (Scale) på strenger skal jeg velge? De fleste el.basser har Long Scale, men selvfølgelig finnes det unntak. Mål på bassiden når strengen er i pitch, avstanden fra kulens innside og til oversadelen. • Short Scale: Opp til 32 . • Medium Scale: 32 opp til 34 . • Long Scale 34 upp til 36 . • Super Long: 36 opp til 38 .

Stål kjærne, nikkelbelagt omspinning. De mest populære Basstrengene fra D`Addario. 045, 065, 080, 100.

EXL170S is the short scale version of D'Addario's best-selling bass set. Offering the ideal combination of distinctive bright, booming tone and comfortable feel, it is the most versatile and universally appealing set for all playing styles. Fits short scale basses with a string scale length of up to 32 inches. Short scale version of D'Addario's best selling bass guitar set Round wound with nickelplated steel for a distinctive bright tone with clear fundamentals Fits short scale basses with a string scale length of up to 32 inches Made in the U.S.A. for the highest quality and performance String Gauges: Wound .045, .065, .080, .100 Environmentally friendly, corrosion resistant packaging for strings that are always fresh D'Addario XL Nickel Wound Electric Bass strings are world-renowned as "The Player's Choice" amongst bass players of all genres and styles. All XL strings are precision wound on our exclusive digitally-controlled machines, ensuring each string has excellent intonation, clear fundamentals, and unparalleled consistency. Each string is wound with a nickelplated steel wrap wire known for distinctive bright tone with excellent magnetic output delivering a universally appealing and versatile tone for all playing styles.

Helicore Hybrid bass strings are multi-stranded steel core strings that produce a moderately warm tone quality. The core design makes for strings that are very easy to play under the left hand. Damping is optimized to create a good balance between pizzicato sustain and bow response, allowing for good performance across many playing styles, from symphonic to jazz or bluegrass. Scaled to fit 3/4 size bass with a playing length of 41 3/4 inches (1060mm), these medium tension strings are optimized for a majority of players. 3/4 size bass with a playing length of 41 3/4 inches (1060mm) Medium tension Stranded steel core provides optimum playability and produces a clear, warm tone Good balance between pizzicato sustain and bow response All D'Addario strings are designed, engineered and manufactured in the USA to the most stringent quality controls in the industry