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- Metal with black powder coating - Individually packed in a printed cardboard tube - Natural membrane for a strong sound

The Real Tin Whistle by Clarke Plastic mouthpiece Assorted colours

A celebrated collection of the best classical works from this highly successful series of anthologies, including a CD with performances of all the pieces. As usual each piece has been carefully presented for solo Piano, with a choice of recognised masterpieces including Bach's Air On A G String, Joplin's Entertainer and Debussy's Clair De Lune for you to learn, master, and enjoy.

A selection of original piano music exactly as written by the master composers of three centuries. The music provides the pianist with a repertoire which is enjoyable for player and listener alike. Compiled and edited by Denes Agay. Suitable for pianists from grade 1-2 standard. Contents / Song list LITTLE SONATA (WILTON) - HUMMING (KABALEVSKY) - CHIT-CHAT (KABALEVSKY) - SPRING SONG (TURK) - WINTER SONG (TURK) - GAVOTTE (HANDEL) - FIRST DANCE (KABALEVSKY) - THE BAGPIPERS (GOEDICKE) - QUADRILLE (HAYDN) - THE HUNT (GURLITT) - BAGATELLE (DIABELLI) - MINUET (MOZART) - DAYDREAMING (SATIE) - DIALOGUE (MIASKOVSKY) - RUSSIAN FOLK SONG (BEETHOVEN) - MENUET (KRIEGER) - GERMAN DANCE (BEETHOVEN) - LITTLE SUITE (TURK) - RONDINO (RAMEAU) - BEAR DANCE (SCHUMANN) - BURLESKE (MOZART) - LITTLE STORY (MULLER) - THE FIFERS (DANDRIEU) - GERMAN DANCE (HAYDN) - THE PIPE ARIA (ANNA MAGDALENA BACH) - LITTLE MARCH (KABALEVSKY) - ALLEGRO (MOZART) - THEME AND VARIATIONS (KULLAK) - SOLDIER’S MARCH (SCHUMANN) - LANDLER (SCHUBERT) - KING WILLIAM’S MARCH (CLARKE) - WALTZ (SHOSTAKOVICH) - Yorktown Music

A selection of original piano music exactly as written by the master composers of three centuries. The music provides the pianist with a repertoire which is enjoyable for player and listener alike. Compiled and edited by Denes Agay. Suitable for pianists from grade 3-4 standard. Contents / Song list MELODY IVAN SINGS (KHACHATURIAN)- RONDO (MOZART)- BAGATELLE (BEETHOVEN)- HAPPY AND SAD (BEETHOVEN)- LA CHAROLAISE (COUPERIN)- RIGAUDON (HANDEL)- PUPPET’S COMPLAINT (FRANCK)- EVENING IN THE MEADOW (REBIKOV)- CLOWNS (KABALEVSKY)- LITTLE PRELUDE IN C (BACH)- WALTZ (SCHUBERT)- ECOSSAISE (WEBER)- OLD FRENCH SONG (TCHAIKOVSKY)- SONATA IN G (SCARLATTI)- THE REAPER’S SONG (SCHUMANN)- PEASANT SONG (MENDELSSOHN)- FIRST LOSS (SCHUMANN)- THE MECHANICAL DOLL (SHOSTAKOVICH)- MINUET (HAYDN)- GYMNOPEDIE NO. 1 (SATIE)- NORWEGIAN DANCE MELODY (GRIEG)- Yorktown Music NN

- Special synthetic compound, relatively stiff pick, matte surface - 4 Christian themes (Crown of Thornes, Angel, Cross, crucified Jesus), 4 gauges

Cleartone Heavy Bass 50-110 .50 .070 .090 .110 Cleartone coated bass strings are a premium brand of bass string designed to last longer but without compromising feel or sound.

SEVILLA TREATED CL. HIGH TENSION BALL END Sevilla Strings are classical guitar strings that feature Cleartone Strings' Patented EMP Coating. With its one micron coating, the Sevilla Strings treatment is the thinnest coating in the industry, designed to last a long time without compromising the feel and sound of traditional strings. Hard tension.

SEVILLA TREATED CL. STRINGS MED. TENSION Ball end - Sevilla Strings are classical guitar strings that feature Cleartone Strings' Patented EMP Coating. With its one micron coating, the Sevilla Strings treatment is the thinnest coating in the industry, designed to last a long time without compromising the feel and sound of traditional strings. Medium tension.

SEVILLA TREATED CLASSICAL HIGH TENSION TIE END Sevilla Strings are classical guitar strings that feature Cleartone Strings' Patented EMP Coating. With its one micron coating, the Sevilla Strings treatment is the thinnest coating in the industry, designed to last a long time without compromising the feel and sound of traditional strings. Hard tension.

Acustically improved body and tone hole system Brass body and keys Gold lacquered finish Acoustic neck Automatic G#-opener High F#-key H/Bb-connected table key Adjustable metal thumb hook PISONI pads USA mouthpiece with ligature and cap Light weight case with rucksack assembly

Alto-Saxophone for children - Keys adjusted to children hands - Suitable for children due to S-bow shape - Brass body and keys - Gold lacquered finish - H/Bb-connected table key - Adjustable metal thumb hook - PISONI pads - USA mouthpiece with ligature and cap - Light weight case with rucksack assembly

NEW CRYSTAL: New STABILON fibre for the core, new computer-based technology and even more accurate automated checks during manufacturing have further enhanced the characteristics of the popular CRYSTAL range. - - Larger overtones, fast and more accurate response - Quality sound projection from pianissimo to fortissimo - Set with ball end - Medium 23.4kg/50.99lbs

Cort’s oldest acoustic series, the Standard Series defines superb performance and value for the money. The Standard Series guitars are affordable but offer good solid performance for beginners and hobbyists alike in a variety of models with different types of features for any playing situation. AD810 features Spruce top, Mahogany back and sides, Merbau fingerboard. Finish: Open Pore CONSTRUCTION Dovetail Neck Joint BODY Dreadnought Body NUT WIDTH 43mm (1 11/16") TOP Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) FRETBOARD Merbau FRETS 20 Frets INLAY Dot Inlay BRIDGE Merbau PICKUPS Ceramic Pickup ELECTRONICS Cort CE304T Preamp STRINGS Coated Strings BRACING Advanced X-Bracing

Cort’s oldest acoustic series, the Standard Series defines superb performance and value for the money. The Standard Series guitars are affordable but offer good solid performance for beginners and hobbyists alike in a variety of models with different types of features for any playing situation. AD810 features Spruce top, Mahogany back and sides, Merbau fingerboard. Finish: Natural Satin CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body TOP Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) BINDING Ivory Binding w/ Tiger Acryl Purfling FRETBOARD Laurel or Merbau FRETS 20 Frets INLAY Dot Inlay ROSETTE Multiple Tiger Acryl Rosette BRIDGE Laurel or Merbau PICKUPS Ceramic Pickup ELECTRONICS Cort CE304T Preamp STRINGS Coated Strings BRACING Advanced X-Bracing

The MR Series represents Cort’s mission to provide the highest quality traditional instruments with superb workmanship and modern features at an unbeatable value. MR710F is a solid sitka spruce top, mahogany back and sides, Ovangkol fingerboard. The classic dreadnaught body has a Venetian cutaway for easy high fret access and is equipped with Fishman Presys electronics to deliver the MR’s natural acoustic sound to an amplification system for both live and recording applications. Finish: Black CONSTRUCTION Dovetail Neck Joint CUTAWAY Venetian Cutaway BODY Dreadnought Cutaway Body NUT WIDTH 43mm (1 11/16") TOP Solid Sitka Spruce Top BACK & SIDES African Mahogany(Okoume) NECK Mahogany(Palaquium) FRETBOARD Ovangkol FRETS 20 Frets SCALE 643mm (25.3") INLAY Dot Inlay ROSETTE Multiple Abalone Rosette BRIDGE Ovangkol PICKUPS Fishman Sonicore Pickup ELECTRONICS Fishman Presys Preamp STRINGS D'Addario EXP16 Strings BRACING Advanced Scalloped X-Bracing SPECIAL Genuine Bone Nut & Saddle Sonically Enhanced UV Finish ADDITIONAL Left handed, 12 strings available

Isomax Headset. Med åpen ende for AKG/Sennheiser sendersystem. Nyre. Beige - Profesjonell elektretmikrofon for fantommating (6-50V). Smidig justerbar innstilling som hviler på ørene og går rundt hodet under håret. Vindhette følger med. 1,5 m kabellengde. ISOMAX Headset Mic remains the favorite of countless high-profile performing artists. It's sleek, comfortable, and stays securely in place, even during dance-oriented performances. It zeroes in on its source, capturing warmth in a wide frequency range. It rejects unwanted sounds and monitor feedback even better than most handhelds. And it tolerates sweat, weather, and makeup better than any other headset. Best of all, it's affordable and durable, providing a long life of excellent sound. -Suitable especially for AKG/Sennheiser -Cardioid pattern -Pigtail “no connector” -Beige -Frequency Response: 20 Hz to 20 kHz -Power Requirements: 15V at the microphone under load. 4mA total current drain. -Sensitivity: 1.4 mV/Pascal -Overload Sound Level: 150 dB SPL at 1% THD (48V Phantom model) -Output Impedance: 600 Ohms balanced (48V Phantom model) -Cable Length: 5 Feet

lever switch 5-way, vintage USA, bolts included, no cap 1 5/8" bolt spacing, made in USA

250K audio potentiometer, short length bushing .250", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 500k av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

500K linear potentiometer, standard length bushing .375", 3/8" diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K audio potentiometer, solid shaft, short bushing .250", 3/8" diameter, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Potentiometer 250k linjär av hög kvalitet. CTS är och har sedan 50-talet varit fabriksstandard för de flesta stora amerikanska märken såsom Fender och Gibson. – standard length bushing .375? – 3/8? diameter Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8? or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375? for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250? short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750?. CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

250K linear potentiometer, short bushing .250", 3/8" diam., USA style dished back, pickguard mount Value: Typically 250K pots are used for single coil pickups and 500K pots for humbucker pickups. The bigger the resistence value, the brighter the sound will be/ less highs will bleed off. 1MEG can be used to make humbuckers sound brighter. Taper: The taper of a pot refers to the way its resistance changes as the shaft is rotated. A linear taper pot will work in a linear way related to shaft rotation. As the human ear is not linear in response to increasing volume an audio or logarithmic pot will work best for volume applications. Shaft: A split, knurled shaft will hold most knobs. Sometimes the knob is mounted using a set screw. You should order a solid shaft pot, or align the set screw with the split for correct mounting. Bushing: The standard bushing diameter is 3/8" or 9,5mm, used in most made in USA guitars. Another industry standard is M8, as used by guitar builders outside of the USA. When space is limited mini pots are used with a shaft diameter of 7mm. The standard bushing length is .375" for inch type pots and 10mm for metric type pots. Using two nuts it is very easy to set the correct bushing length for knob placement. Specially for pickguard (ST, PB) or control plate mount (TE, JB) the .250" short bushing will fit perfectly using only one nut. For use with a thick or carved top (LP USA) you should order a bushing length of .750". CTS is (and has been since the 50's) a factory standard for most USA brands like Fender and Gibson. Alpha is a good alternative, nowadays used as a factory standard by Ibanez, Epiphone and Squier.

Top quality CTS control pots with a switch on the back. Add a switch to your guitar wiring without drilling a new hole. - The built-in single-pole single-throw switch is electrically separate from the control pot. You might use this switch to coil-cut a humbucker, or use it as a dedicated on/off switch for a pickup.

25LBNJ00-DX - Leather Banjo Strap - Black. Høykvalitets banjoreim fra D'Addario. • Bredde 64mm. • Gir maksimal komfort i stående situasjoner.

50PLJS02 - Planet Lock - Up In Flames. Med Illustrasjon skissert av Joe Satriani selv, blir denne D'Addario gitarreimen til et unikt tillegg til enhver gitar. Med Illustrasjon skissert av Joe Satriani selv, blir denne D'Addario gitarreimen til et unikt tillegg til enhver gitar. D'Addarios Woven gitarreimer er designet for utøvere i alle sjangere og tilbyr design som vil tilfredsstille selv den mest kresne spilleren. Fra ikoniske temaer til unike design og kunst, Disse slitesterke gitarreimene er et fantastisk supplement til alle gitarer. • Sterke og sikre skinnendestykker. • Gir maksimal komfort i stående situasjoner. • Bredde 50mm. • Justerbar lengde fra 89 cm til 151 cm.

D'Addario HALF ROUNDS strengesett el.gitar - EHR310. Regular Light. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .010, .013, .017, .Nickel Wound .026, .036, .046.

D'Addario HALF ROUNDS strengesett el.gitar - EHR350. Jazz Light. Spunnet 3. streng. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .012, .016, Nickel Wound .024, .032, .042, .052.

D'Addario HALF ROUNDS strengesett el.gitar - EHR370. Medium. Half Round strengene har en spinning helt av rustfritt stål. Overflaten er polert, men ikke helt, noe som gjør at tonen har nesten samme karakter som en uslipt streng. Den jevne overflaten gir den en fordel i innspillingssammenheng hvor man gjerne vil unngå slidelyden fra fingrer som glir over strengen. • D'Addario Round Wound leverer round wound tension med flat wound feel. Eksklusiv semi-flat overflate. • Miljøvennlig og korrosjonsmotstandsdyktig forpakning holder strengene ferske. • Produsert av D'Addario i New York, USA for beste kvalitet. • Strengetykkelser: Plain Steel .011, .014, .018, Nickel Wound .028, .038, .049.

EJ15 Extra Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL010 E .010 PL014 B .014 PB023 G .023 PB030 D .030 PB039 A .039 PB047 E .047

EJ16 Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL012 E .012 PL016 B .016 PB024 G .024 PB032 D .032 PB042 A .042 PB053 E .053

3-pack med EJ26 Custom Light 011 015 022w 032w 042w 052w. 1974 var året D’Addario var först med att prova materialet Phosphor Bronze i sin akustiska strängtillverkning. Succen var ett faktum och Phosphor Bronze strängar har blivit synonymt med en stor ton och lång livslängd. Väljs av de flesta musiker för både live och studio.

EJ26 Custom Light. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio. Model Note Inch PL011 E .011 PL015 B .015 PB022 G .022 PB032 D .032 PB042 A .042 PB052 E .052

EJ38 Phosphor Bronze 12-str. Light Tykkelse 1-12: 010/010, 014/014, 023w/008, 030w/012, 039w(018, 047w/027w. 1974 var året da D'Addario var først med å prøve materialet Phosphor Bronze i sin produksjon av akustiske strenger. Suksessen var et faktum og Phosphor Bronze strenger har blitt synonymt med en stor tone og lang holdbarhet. Foretrekkes av de fleste musikere både live og i studio.

EJ45LP "lett polert," normal tension, er D'Addario's bestselgende "lett polert" sett, foretrukket for sin balanse av fyldige tone og glatte spillefølelse. Pro-Arte lett polerte kompositt strenger har en eksklusiv multifilament kjerne materiale som gir en kraftig, men varm tone som varer 2-3 ganger lenger enn tradisjonelle klassiske strenger. Hver omspunnet streng er polert til en glatt overflate for redusert finger støy. I tillegg til tre tradisjonelle nylon diskant strenger, inneholder hvert sett en valgfri monofilament kompositt 3dje / G string, som gir større projeksjon og optimal balanse mellom bass og diskant. Alle Pro-Arte diskant strenger er sortert av en sofistikert datastyrt laser maskin som utfører diameter / spenning målinger og kvalitetskontroller, og sikrer rene og presise diskantstrenger i hvert sett. Pro-Arte lett polerte sett er også ideelle for opptak. - Forsølvet kobber tråd spunnet på en eksklusiv Composite kjerne materiale for kraftig, langvarig tone - Omspunnede strenger er polert til en glatt overflate for redusert finger støy, flott for opptak! - Kompositt 3dje / G streng for økt projeksjon, klar nylon 1. og 2. strenger. Alle laser målt og sortert for konsekvent, presis intonasjon - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: Diskant .0280, .0322, .036 Basses .027, .34, .043 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

EJ45, Normal Tension. Pro Arté er D'Addarios mestselgende streng for klassisk gitar.Godt likt for sin perfekte balanse mellom tone, spillefølelse og dynamikk. Flere års lang utvikling førte fram til Pro Arte serien der hver strengs diameter ble kontrollert 200 ganger ved hjelp av et sofistikert databasert lasersystem. Denne ekstremt nøye kvalitetskontrollen garanterer en absolutt høy og jevn standard på strengene, fra sett til sett. Basstrengene er presisjonsspunnet med en sølvbelagt kobbertråd over en nylonkjerne, som gir strengen dens varme og tydelige tone. I følge mange konsertgitaristre det beste strengesetttet som noen gang har blitt skapt, og det anbefales varmt av de fleste gitarlærere. • D'Addarios mest populære streng for klassisk gitar. • Laserkontroll garanterer absolutt jevn kvalitet. • Presisjonsspunnede basstrenger for varm og tydelig tone. • Normal Tension. • Strengetykkelser: Trebles .0280, .0322, .0403 Basses .029, .35, .043. • Made in USA. - D'Addario's bestselgende Pro Arte sett, Normal tension tilbyr balanse i volum og behagelig motstand - Laser sortert klare nylon diskant strenger for konsekvent og presis intonasjon - Presisjons spunnede bass strenger for varm, prosjektering av tone og den ytterste jevnhet - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: Diskant .0280, .0322, .0403 Bass .029, .035, .043 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

EJ46C Composite, Normal Tension. I Pro Arte Kompositen er G strengen og kjernen i basstrengene produsert i et polymermateriale, noe som gir en rik og kraftig tone med mye varme. I tillegg har basstrengene 2-3 ganger lengre leveperiode enn nylon og gir en perfekt toneovergang mellom de spunnede og uspunnede strengene. Med dette materialet kan også G strengen gjøres tynnere, uten å ofre styrke, noe som gir en betydelig klarere tone enn en normal nylonstreng. Disse settene holder stemmingen utrolig bra! EJ46C settet inneholder en ekstra G streng i alternativ størrelse, slik at man kan velge mellom .0370 eller .0410 tykkelse på tredje strengen. • Sølvbelagt kobberspinning på en eksklusiv kompositkjerne, for kraftfull og varende tone. • G streng av kompositkjerne for økt projeksjon og holdbarhet. Alle lasersortert for absolutt jevn kvalitet. • Strengetykkelser: .0285, .0327, .0370,(.0410) .029w, .036w, .046w. • Made in USA.

EJ46, Hard Tension, er et populært valg av klassiske sett som foretrekkes for sin balanse mellom fyldig tone, noe hardere spilleart, behagelig følelse og dynamisk projeksjon. Pro-Arte, verdens mest populære klassiske strenger er D'Addario's premium klassiske gitarstrenge sett. Alle Pro-Arte diskant strenger er sortert av en sofistikert datastyrt laser maskin som utfører diameter og spenning målinger, sikrer riktig tone, presise diskant strenger i hvert sett. Pro-Arte bass strenger er viklet med sølvbelagt kobbertråd på en multi-filament nylon kjerne for konsekvent og varm, men prosjektering tone. - D'Addario's bestselgende Pro Arte sett, Hard tension tilbyr balanse i volum og noe kraftigere men behagelig motstand - Laser sortert klare nylon diskant strenger for konsekvent og presis intonasjon - Presisjons spunnede bass strenger for varm, prosjektering av tone og den ytterste jevnhet - Made in USA for høyeste kvalitet og ytelse - Strenge tykkelse: Diskant .0285, .0327, .0410 Bass .030, .036, .044 - Miljøvennlig, korrosjonsbestandig emballasje for strenger som alltid er ferske

D'Addario's tyngste 5-strengs banjosett, leverer maks. volum og holdbarhet for heavy picking. • Nikkelbelagt stål for klar tone, glatt følelse og lang levetid. • Miljøvennlig, korrosjonsmotstandsdyktig innpakking holder strengene ferske. Settet består av: • LE011 D. • LE012 B. • LE013 G. • LE022w D. • LE011 G.

Banjo strenger, Normal gauge. 010, 012, 016, 023w, 010 J61 D'Addario's mest populære 5-strengs banjo sett gir deg den perfekte balansen av å spilleart og lys, kraftig tone. Loopend konstruksjon for universell bruk. D'Addario banjo strengene blir anbefaltt av legender som Ralph Stanley, Rob McCoury, Ron Block, Alison Brown, og flere, for deres autentiske tone og pålitelig ytelse.

EJ62 light gauge mandolin strings are wound with 80/20 Bronze for a crisp, bright tone on all 4 wound strings; perfect for recording. 80/20 Bronze mandolin strings Loopend construction for universal fit Bright, crisp tone Made in the U.S.A. for the highest quality and performance String Gauges: .010/.010, .014/.014, .024/.024, .034/.034 80/20 Bronze, commonly referred to as brass, is the original string alloy selected by John D'Addario Sr. and John D'Angelico in the 1930s. 80/20 Bronze strings are popular for recording due to their crisp, deep and projecting tone and appeal to many traditionalists and vintage enthusiasts for their historical significance. All D'Addario mandolin strings are wound on a hexagonally shaped, high carbon steel core, resulting in long lasting, bright sounding tone with excellent intonation.