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handmade grand auditorium guitar, solid spruce & rosewood, vintage aged finish, Fishman Presys+ Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. The G-65-CEVA has solid sitka spruce top and rosewood sides and back. Sonorous and bold, loud and clear, great playability and a classic look. The vintage aged top and the herringbone purfling give this guitar a classy, vintage look in a modern guitar. Our most versatile guitar is the grand auditorium. This body shape offers a great all-round sound and the guitar can handle strumming as well as fingerstyle techniques. The sound is impressive and if this wouldn’t win you over, the playability will. All Richwood Master Series guitars are professionally set up before shipping. The sound has a transparent midrange that is very forgiving and will please any all-round player. The pleasing aesthetics, combined with the great sound, make this shape the most popular shape in the Master Series range. The rosewood sides and back are responsible for the sonorous and bold low end, the high frequencies are thicker and clearer. The general volume is higher and the details in sound are more audible than with a mahogany guitar. One is not better than the other. It is different. The installed Fishman Presys+ pickup system features an extended equalisation to finetune your natural amplified sound on stage. The technical and aesthetical advanced features include bone fittings, a double action trussrod, voluted headstock joint, cotton capped X-braces, mahogany back braces, high grade Derjung machine heads, USA D'Addario EXP16 coated phosphor bronze strings and Fishman electronics. Specs body shape: grand auditorium cutaway bracing design: X scalloped, with mahogany back braces scale length: 650 mm nut width: 43,6 mm body length: 505 mm lower bout width: 409 mm body thickness: 96/116 mm top material: solid A grade Sitka spruce back & side material: laminated rosewood neck material: Indonesian mahogany fingerboard material: Indian rosewood fingerboard binding material: Indian rosewood fingerboard radius: 14" bridge material: Indian rosewood top colour: vintage aged body finishing: gloss neck finish: satin rosette: 3 rings model top purfling: herringbone side binding: ivory ABS back binding: ivory ABS back seam: zipper trussrod: active two-way top position dots: 7 mm + 5 mm white pearl shell side position dots: 2 mm white pearl shell frets: 2.4*1.1 mm 18% nickel silver nut & saddle material: genuine bone 43*6 mm and 72*3 mm machine head: Derjung Deluxe chrome strings: D'Addario EXP-16 bridge pins: ivory colour, black core pickguard: imported 129 tortoise G strap button: chrome electronics: Fishman Presys+ extra : additional genuine bone saddle and 1 x saddle underlayment

handmade parlor guitar, solid spruce & rosewood, vintage aged finish Richwood Master Series are all handmade acoustic guitars, made of premium selected tonewoods, professionally set-up before packing. The parlor model is modelled after the famous model from the turn of the century, yet fits perfectly in modern music. The very focussed tone and direct response are coupled with the very comfortable body size. The result is a guitar that will keep you inspired. The solid sitka top and rosewood sides/back combination is classic and results in a loud and detailed, clear sound with a lout of punch. The very focussed tone and direct response are coupled with the very comfortable body size. The shorter scale length of 628 mm and the 12th fret neck/body joint make this P-65-VA extremely comfortable to play. The small body size and the somewhat wider nut of 46mm classify this as a perfect fingerstyle guitar. As all Richwood Master Series, this model displays an excellent playability with a very comfortable neck profile. Parlor guitars fit perfectly in cases or gigbags for classical guitars. Specs: body shape : 12 th fret parlor nut width: 46,4 mm neck width 12th fret: 57,3 mm scale length : 628mm body length : 493mm upper bout width: 242 mm waist width: 203 mm lower bout width : 352mm body thickness : 89/109mm top material : solid A grade Sitka spruce back & side material : laminated rosewood neck material : Indonesian mahogany fingerboard material : Indian rosewood fingerboard binding material : Indian rosewood fingerboard radius: 14" bridge material : Indian rosewood top color : vintage amber body finishing : glossy neck finish : satin rosette : black and white ABS rings top purfling : herringbone side binding : ivory back binding : ivory back zipper trussrod : active two-way top position dots : 7mm + 5mm white pearl shell side position dots : 2mm white pearl shell frets : 2.4*1.1mm, 18% nickel silver nut & saddle material : bone 46 mm and 72*1mm machine head : Derjung Deluxe chrome strings : D'Addario EXP-16 bridge pins : black with whitedot pickguard : no strap button : chrome extra : additional genuine bone saddle and 1 x saddle underlayment

A-style mandolin with spruce top, vintage sunburst RMA-60-VS The RMA-60-VS is the perfect companion for any beginner mandolin player. Even though the body is made of high quality laminated wood, it still has a loud and warm voice. The price point will positively astonish anyone who has heard and played this instrument. Specs scale length: 35 cm nut width: 31 mm nut material: bone top material : laminated spruce back & side material: laminated sapele neck material: Indonesian mahogany fingerboard material: technical wood bridge material: walnut top color: vintage sunburst body finishing: highgloss neck finish: highgloss rosette: f-holes binding: ivoroid trussrod: active two-way machine head: high-grade Korean open-geared tuners

folk banjo 5-string, mahogany rim, 24 brackets Richwood RMB-605 Richwood's first 5-string resonator banjo. An incredible value for money. All your bluegrass and folk influences can be channeled into this banjo. A very stable instrument with good tone. Specs top: Remo weatherking white 11” rim: laminated mahogany resonator: mahogany neck: mahogany fingerboard: technical wood bridge: maple with ebony cap tuners: high-grade Korean banjo style 4:1 ratio truss rod: two way adjustable scale length: 66,4 cm total instrument length: 96 cm top nut width: 30 mm nut material: bone binding: ivoroid finish: highgloss clear hardware: chrome plated tuning: GDGBD brackets: 24

handmade guitar "Songwriter M", solid spruce & mahogany, cutaway, Fishman Isys+ The Songwriter Series is developed to have a very focussed, voluminous and inspiring sound to accompany a singer songwriter as well as any other guitar player. In order to achieve this we applied the special lattice bracing. This bracing pattern is responsible for a well-defined tone with more punch and more volume than a guitar with a regular X-bracing. The sound character is very even, no overpowering basses, no harsh trebles, this is inspiration captured in a beautiful wooden box. To enhance these differences, we have new cosmetics with wooden bindings and bridge pins. A new rosette with abalone and wood and the absence of a pickguard. The SWG-110-CE has a solid Sitka spruce top and mahogany sides and back. The satin finish makes this a loud and open sounding instrument. As all Richwood Master Series, the Songwriter Series displays an excellent playability with a very comfortable neck profile. specs: body shape : grand auditorium with cutaway bracing design : special Richwood lattice bracing, mahogany back braces scale length : 650mm nut width : 43,5mm body length : 505mm lower bout width : 409mm body thickness : 96/116mm top material : solid A grade Sitka spruce back & side material : laminated mahogany neck material : Indonesian mahogany fingerboard material : Indian rosewood fingerboard binding material : Indian rosewood fingerboard radius: 14" bridge material : Indian rosewood top color : natural body finishing : satin open pore neck finish : satin rosette : mahogany and abalone rosette top purfling : no side binding : maple back binding : maple trussrod : active two-way top position dots : 7mm + 5mm white pearl shell side position dots : 2mm white pearl shell frets : 2.4*1.1mm, 18% nickel silver nut & saddle material : bone 43*6mm and 72*3mm machine head : Derjung Deluxe chrome strings : D'Addario EXP-16 bridge pins : Indian rosewood with abalone dots pickguard : no strap button : chrome electronics : Fishman Isys+

ROYAL By D'Addario Alt-Sax rør 1.5, 10-p. - RJB1015. For nybegynnere og viderekommende studenter, med FILED kutt for ekstra tonal klarhet. Royal rør med FILED kutt har ekstra tonal klarhet og er ideell for både begynnende og avanserte utøvere. Disse rørene har en tradisjonell fasong og profil for å gi deg lettere respons når du spiller. • Tradisjonell form og profil. FILED. • Perfekt for nybegynnere og viderekommende. • Designet for lettspillhet. • Prisgunstig. • Alle D'Addario rør er designet og produsert i USA av naturlig dyrkede rørplanter. Tilgjengelig i: • 1.5 / 2.0 / 2.5 / 3.0 / 3.5 / 4.0 Den proprietære rørproduksjonen bruker produksjonsmaskiner designet og bygget av D'Addario. Den sofistikerte skjære-, puss- og inspeksjonsteknologien sørger for at hvert rør inneholder det fineste maskinbearbeidede emnet.

ROYAL By D'Addario Alt-Sax rør 2.0, 10-p. - RJB1020. For nybegynnere og viderekommende studenter, med FILED kutt for ekstra tonal klarhet. Royal rør med FILED kutt har ekstra tonal klarhet og er ideell for både begynnende og avanserte utøvere. Disse rørene har en tradisjonell fasong og profil for å gi deg lettere respons når du spiller. • Tradisjonell form og profil. FILED. • Perfekt for nybegynnere og viderekommende. • Designet for lettspillhet. • Prisgunstig. • Alle D'Addario rør er designet og produsert i USA av naturlig dyrkede rørplanter. Tilgjengelig i: • 1.5 / 2.0 / 2.5 / 3.0 / 3.5 / 4.0 Den proprietære rørproduksjonen bruker produksjonsmaskiner designet og bygget av D'Addario. Den sofistikerte skjære-, puss- og inspeksjonsteknologien sørger for at hvert rør inneholder det fineste maskinbearbeidede emnet.

ROYAL By D'Addario Alt-Sax rør 2.5, 10-p. - RJB1025. For nybegynnere og viderekommende studenter, med FILED kutt for ekstra tonal klarhet. Royal rør med FILED kutt har ekstra tonal klarhet og er ideell for både begynnende og avanserte utøvere. Disse rørene har en tradisjonell fasong og profil for å gi deg lettere respons når du spiller. • Tradisjonell form og profil. FILED. • Perfekt for nybegynnere og viderekommende. • Designet for lettspillhet. • Prisgunstig. • Alle D'Addario rør er designet og produsert i USA av naturlig dyrkede rørplanter. Tilgjengelig i: • 1.5 / 2.0 / 2.5 / 3.0 / 3.5 / 4.0 Den proprietære rørproduksjonen bruker produksjonsmaskiner designet og bygget av D'Addario. Den sofistikerte skjære-, puss- og inspeksjonsteknologien sørger for at hvert rør inneholder det fineste maskinbearbeidede emnet.

ROYAL By D'Addario Alt-Sax rør 3.0, 10-p. - RJB1030. For nybegynnere og viderekommende studenter, med FILED kutt for ekstra tonal klarhet. Royal rør med FILED kutt har ekstra tonal klarhet og er ideell for både begynnende og avanserte utøvere. Disse rørene har en tradisjonell fasong og profil for å gi deg lettere respons når du spiller. • Tradisjonell form og profil. FILED. • Perfekt for nybegynnere og viderekommende. • Designet for lettspillhet. • Prisgunstig. • Alle D'Addario rør er designet og produsert i USA av naturlig dyrkede rørplanter. Tilgjengelig i: • 1.5 / 2.0 / 2.5 / 3.0 / 3.5 / 4.0 Den proprietære rørproduksjonen bruker produksjonsmaskiner designet og bygget av D'Addario. Den sofistikerte skjære-, puss- og inspeksjonsteknologien sørger for at hvert rør inneholder det fineste maskinbearbeidede emnet.

ROYAL By D'Addario Bb-Klarinett rør 1.5, 10-p. - RCB1015. For nybegynnere og viderekommende studenter, med FILED kutt for ekstra tonal klarhet. Royal rør med FILED kutt har ekstra tonal klarhet og er ideell for både begynnende og avanserte utøvere. Disse rørene har en tradisjonell fasong og profil for å gi deg lettere respons når du spiller. • Tradisjonell form og profil. FILED. • Perfekt for nybegynnere og viderekommende. • Designet for lettspillhet. • Prisgunstig. • Alle D'Addario rør er designet og produsert i USA av naturlig dyrkede rørplanter. Tilgjengelig i: • 1.5 / 2.0 / 2.5 / 3.0 / 3.5 / 4.0

- Prime (Soprano) Balalaika - Scale 430-440 mm. Strings with loop. e´-e´-a´´ - Bare steel, string gauges - a 0.28 mm = .011'' - e 0.38 mm = .015''

Prime (Soprano) Balalaika Scale 430-440 mm. Strings with loop. e´-e´-a´´ Bare steel, string gauges a 0.28 mm = .011'' e 0.38 mm = .015''

Chrome nickel flat wire, wound and polished, with loop end For scale 450 mm, tension: ca. 8.9 kg, total length 87 cm String gauges: E: .016"/0.41mm, A: .026"/0.66mm, D: .032"/0.94mm, G: .060"/1.52mm Price and delivery of strings as a pair

Rotosound Jumbo King Acoustic. Strengesett for akustisk stålstrengs gitar. Phosphor/Bronze Light. - Dimensjoner: 011-015-022-030-042-052. - Jumbo King serien lages med 92/8 Phosphor/Bronze hos Rotosound i Storbritania. Disse strengene leverer varm, klar tone med mye sustain og brukes av bl a John Renbourn og Sir Bob Geldof.

Rotosound Jumbo King Acoustic. Strengesett for akustisk stålstrengs gitar. Phosphor/Bronze Light. - Dimensjoner: 012-016-024-032-044-054. - Jumbo King serien lages med 92/8 Phosphor/Bronze hos Rotosound i Storbritania. Disse strengene leverer varm, klar tone med mye sustain og brukes av bl a John Renbourn og Sir Bob Geldof.

RS66LD Swing Bass. 045 - 065 - 080 - 105. Rotosound innførte den opprinnelige roundwound bass-strengen i 1962. Den forandret lyden av instrumentet umiddelbart. Det stålet som brukes til å produsere disse strengene er unik, og kombinert med en svært hemmelighetsfull produksjonsprosess, gjør dette til den mest populære Roundwound bass-strengen noensinne. Long Scale. Passer til basser med skalalengde 32" - 34".

string set electric bass stainless steel 50-110, heavy gauge 050-070-085-110 long scale The string that started a revolution and brought the bass player from the back line to the front. This is the string that James How and John Entwistle perfected into what was to become the industry standard. The bright punchy high energy sound this string offered and so much a big part of early rock music as we know it, quickly grew in popularity to all four corners of the globe and remains the leading contender to this present day. The John Entwistle connection 1966 “It was in 1966 and I was looking for that Danelectro sound again. I tried everybody’s strings but the E and the A’s just didn’t work. It was the same with Rotosound but there was something about them that was almost there but not quite. To solve the problem I got in touch with James How and told him his D and G strings were great but the E and A didn’t vibrate properly. He told me to take my bass along to Rotosound and have some strings made until they got it right. After a couple of hours, we realised that the problem wasn’t in the wire winding, but in the core of the string. You could see that the strings vibrated in a big circle and that was wrong; the core needed to be thicker. We also made the overall gauges a bit heavier and they sent me away with 12 sets to use. A couple of days later they called and asked if I objected to them putting my name to the strings and selling them commercially. I told them I didn’t mind as long as they kept me supplied with free strings! But then we had to do the same with medium and short scale strings because I had loads of different basses by then. Those strings, the RS 66 sets, were the first that vibrated properly other than the Danelectros.” The most popular Roundwound bass string ever. Rotosound was the first string company to produce this kind of string. Introduced in 1962 it changed the sound of the instrument instantly. The favourite string of many players including Billy Sheehan, John Paul Jones and Geddy Lee. The steel used to produce these strings is unique, combined with a highly secretive manufacturing process.

Rotosound Jazz Bass. Monel Flat Wound elbassträngar. Standard. Dimensioner: 045-065-085-105. Rotsound’s slipade Monel Flatwound strängar har fått massor av utmärkelser sedan de introducerades och varit det en självklarhet hos världsledande artister, som exempelvis Oasis, Steve Harris, Roger Waters och Herbie Flowers. Receptet är fortsatt en välbevarad hemlighet, men Monel 400 tapen som används i produktionen får fram karaktären som gjort strängarna så populära och prisbelönta! Dessa strängar tillverkas fortfarande “på gammaldags vis” för hand med maskinerna som James How byggde i slutet av 60-talet!

Øvre sadel emne til violin hals. God kvalitet ibenholt.

Plugg: XLR-female vinklet.

Stereo Mini Jack til Stereo Mini Jack